The Gibson ES-175D was formally introduced in 1953 as the Double P-90 pickup version of the single-pickup ES-175. Informally, a few were shipped in 1951 and 1952 but without the ‘D’ designation. This guitar came onto the scene in 1949 as a single pickup archtop with a sharp Florentine cutaway, Maple laminate body construction, Mahogany neck and Rosewood bridge and bound fingerboard.
Michigan
Built at the Gibson Kalamazoo plant, the natural-finish Epiphone FT45N Cortez was produced from 1962 to 1969, but it first appeared with a sunburst in 1958. The Epiphone FT45N Cortez was very similar to some Gibson models, particularly the LG-2 (sunburst top) and LG-3 (natural top), which in 1962 became the sunburst B25, and in 1963 the natural B25N. They were built in the same plant and likely on identical forms.
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MORE →Here is a very nice Gibson ES-335TDC in a classic Cherry finish and the reliable Thinline semi-hollow design, built during 1969 at Kalamazoo, Michigan. The Thinline concept was introduced in 1955 to produce a more compact hollowbody archtop electric instrument less prone to feedback.
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MORE →Over the years, the Gibson Les Paul Standard has gained and iconic position in the guitar pantheon, though it has been in and out of favour as time passed. Built during 1976, about halfway through Norlin’s ownership, this Gibson Les Paul Standard sports a classic tobacco sunburst finish.
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MORE →The Gibson Super 400 strode above most others when giant archtops roamed the earth, and is still one of the largest production guitars made. Making its introduction in 1934 as the ‘Super L-5 Deluxe’, the non-cutaway model was quickly joined by a cutaway model, initially named the Super 400 P for ‘Premiere’. The ‘400’ designation was originally a reference to the price.
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MORE →The Gibson RB-250 Mastertone was the working-musician’s banjo for decades and offers that classic Gibson sound with the “Snap” to the treble attack that only Gibsons have. This is essentially the same banjo as the famous Gibson RB-3 without the Wreath inlay.
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