This Gibson J-45 Slope Shoulder Dreadnought Guitar Sunburst is in clean condition and plays quite well. It appears to have been recently refretted, which included cleaning up the rosewood fingerboard. There are a few minor spot touch ups on the neck to fill dents. These were done competently and probably at the same time as the refret. There is also a colour touchp on the top at the lower treble bout edge, a bit of fill on a finger wear area between the pickguard edge and the bridge, and a touchup of some pick marks below the bass side soundhole.
Montana
The Gibson Keb Mo signature Bluesmaster guitar is based on the small-bodied Gibson L-body guitars many blues players used from the 1920’s on. The L-body series weren’t just used by blues players – for many players throughout North America, these were a first serious guitar. The Gibson Keb’ Mo’ sports a Adirondack Red Spruce top with herringbone purfling, mahogany back and sides, and a mahogany neck with a bound East Indian Rosewood fingerboard. The bridge is also rosewood, with a bone saddle. The finish is Gibson’s normal nitrocellulose lacquer sunburst.
This instrument has sold
MORE →The Gibson SJ-200 has been in continuous production since 1938, with a hiatus during the WW2 years 1944 to 1946. Renamed the J-200 in 1955, it is one of Gibson’s most recognisable and popular designs. It appears on many recordings and stages. Though it’s often associated with Country and Western, it is the acoustic used on both The Who’s Pinball Wizard and all the acoustic parts on the first Led Zeppelin album.
First appearing in 1926, the Gibson L-0 uses a curvaceous, smaller 13.4 inch wide body. Initially made with Spruce top and Birch back and sides, in 1928 it became all Mahogany until 1933, when production ended. They were built again from 1937 to 1942, but with Spruce for the top again and Mahogany back, sides and neck. On all of them, the fingerboards are Rosewood, which at the time meant Brazilian Rosewood.
The Gibson 1941 SJ-100, built in Bozeman Montana, recreates one of the rarest Gibson acoustics – the SJ-100, using a Super Jumbo body with Mahogany back and sides. These were first introduced in 1939, replaced in 1941 but rapidly discontinued with under 180 built.
The 1941 SJ-100 uses Sitka Spruce for the top and braces, Mahogany for the back, sides and neck, and Indian Rosewood for the fingerboard and bridge. An L R Baggs Element pickup is installed at the factory, like most modern Gibson acoustics, and it’s ready to go. The headstock shape is very reminiscent of the late 1930’s and 1940’s pegheads, with a Mother of Pearl script Gibson logo.
This instrument has sold
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