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Martin OM-21 Special

I think that every time I walked by the Martin booth at this year’s NAMM music trade show, there was a large crowd around the Martin OM-21 Special! It really did make quite an impression with a LOT of dealers and it’s not surpising considering the features … bone nut & saddle, Gotoh butterbeans with pewter finish, crisply executed ebony pyramid bridge, wide fingerstyle-friendly string spacing on a low profile neck, retro looking rosewood binding and a premium tortoiseshell pickguard on the vintage toner Sitka top!

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Martin D-18 Authentic 1937

Martin D-18 Authentic 1937

Like most other major manufacturers, the C.F. Martin guitar company has issued its fair share of reissue instruments … but none as accurate and detail oriented as the Martin D-18 Authentic 1937 model!

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Martin D28 Marquis Madagascar

Martin D28 Marquis Madagascar

The Marquis line from Martin guitars provides players with a vintage aesthetic and great tone shaping features. The grain patterns and red color hues on the back had me in awe upon first look and then came the tone!

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Martin OMC-28M Laurence Juber (DISCONTINUED)

Martin OMC-28M Laurence Juber (DISCONTINUED)

Fingerstyle guitarist Laurence Juber’s relationship with the C.F. Martin company started in 2002 with the introduction of the OMC-VLJ. The year 2004 saw two more Limited Edition “Jubers” sporting Indian and Brazilian rosewood back & sides. Building on the overwhelming success of these instruments, Martin has come out in 2006-2007 with this EXTREMELY attractive OMC-28M utilizing premium Adirondack spruce top and brace wood in conjunction with rare Madagascar rosewood back & sides!

This instrument has sold

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Martin OM-45 Marquis

Martin OM-45 Marquis

According to C. F. Martin III, the 14-fret neck was developed in late 1929. Prior to the period, guitars were generally equipped with a 12-fret neck. As the story goes, a renowned plectrum banjoist of the day, Perry Bechtel, suggested to Frank Henry Martin that he make a guitar with a 14-fret neck. Bechtel reasoned that the longer neck would increase the guitar’s range and make it a more versatile instrument. Following Bechtel’s advice, Martin introduced a guitar with the longer neck and dubbed it an “Orchestra Model.”

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Collings OM1H Custom

Collings OM1H Custom

Is there anybody on the face of the earth that makes consistently exceptional sounding mahogany guitars like Bill Collings? I don’t find it surprising that lovers of mahogany are singing the praises of these instruments … it is the folks who come in our store insisting that rosewood is a much more viable tonewood … then hear one of Bill’s D or OM1 guitars and fall completely and hopelessly in love!

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The Twelfth Fret

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CANADA
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