Laskin Flamenco Guitars Canada

 
 
Laskin Concerto Flamenco

 

 
Laskin Flamenco Guitar

 
 
William Laskin "Concerto Flamenco" Guitar

 
Laskin Flamenco Guitar
     The origins of Flamenco can be traced back for centuries to the Gypsies of southern Spain.  Historically it has been the artistic outlet for the poor and the oppressed.  This art form has been handed down by the oral tradition with each artist adding his or her personal interpretation.

     Flamenco consists of three elements;  the singing (cante),  the dance (baile) and the guitar.  In addition,  there are often members of a Flamenco group playing "palmas" or hand clapping.  Much like jazz,  the various members of a Flamenco troupe improvise within a number of set structures.  The singer is the center of the group with the dancers physically interpreting the words and emotion of the singer through intricate hand,  arm & body movement as well as percussive foot work.  The guitarist accompanies the singer & dancer,  accentuating the vocal lines. 

     Flamenco as a performance art began to flourish in the later half of the nineteenth century with the appearance of the "cafe cantante" in Andalusia Spain.  The wandering nature of the Flamenco groups ensured the spread of this art form which has endured many cycles of popularity and decline until it's most recent  resurgence.

    As Flamenco evolved and the guitar began to take a more prominent role,  it's players developed more varied techniques and demanded more from their instruments.  It is generally acknowledged that the father of classical guitar building,  Antonio de Torres,  was also responsible for establishing the benchmark for the modern Flamenco guitar.


     The Flamenco guitar has been distinctly different from it's classical cousin in several ways.  Where a classical instrument often employs rosewood for it's back & sides,  Flamenco instruments traditionally have utilized cypress.  There were initially economic reasons for this distinction,  but from a tone standpoint,  cypress imparted a clear tonality that cut through in the Flamenco ensemble and ultimately made it more appropriate in that traditional context.   Unlike classical instruments,  Flamenco guitars also feature tap plates or "golpeadores" to facilitate the player's percussive right hand tapping techniques.  Finally,  Flamenco guitars feature a steeper neck angle to achieve the lower action demanded by it's practitioners and to place the strings in closer proximity to the top,  again to facilitate the "rasgueos" tapping technique.

     In recent decades,  as this historically rich art form evolves,  so does the Flamenco guitar.  Many modern players of note are now demanding an instrument with a richer overall tonality to accomplish their solo concert repertoire or for smaller ensemble work.   It takes a luthier of considerable experience and skill to create a hybrid "Concerto Flamenco" guitar that has the clarity and precision of a traditional cypress instrument,  but also the lush midrange needed for the more modern sound.  William Laskin is noted throughout North America for his skill in this unique discipline. 

     The instrument pictured above not only features meticulous craftsmanship,  clean crisp design lines and a flawless finish ...  it  also sonically epitomizes the modern concert Flamenco guitar.  The attack transient has an appealing edge or "point" ... the note fundamental is solid,  full and warm ... the clarity stands up to the most rapid of passages and the dynamic range is absolutely exceptional!  This is a world class modern Flamenco guitar by anyone's standards!


 
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Specifications
William Laskin "Concerto Flamenco"

* 2 1/32" wide polished bone nut
*  slotted peghead with Sloane precision tuners
*  Spanish cedar neck with ebony fingerboard
*  655 mm scale length
*  Master Grade Sitka spruce top
*  Indian rosewood back & sides
*  ebony body binding with mitered purfling
*  proprietary soundhole mosaic rosette
*  Laskin arm rest
*  thin gloss lacquer finish
*  clear mylar golpeadores
*  custom Calton Deluxe flight case

 


 
 
Link to most recent reviews of William Grit Laskin guitars

Link to William Laskin Flamenco Negra guitar

Link to a William Grit Laskin Brazilian rosewood guitar with Armrest & Sideport

Link to the William Laskin " The Kiss " guitar

Link to William Laskin Brazilian rosewood Venetian cutaway w/sound port

Link to feature on William Laskin custom Koa non cutaway guitar

Anatomy of a William Laskin peghead inlay

Link to William Laskin Florentine cutaway "Mask" Brazilian rosewood guitar

Link to feature on William Laskin's book " A Guitar Maker's Canvas "

Link to William Laskin Homepage


 

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