| Every year, the music retail industry converges
on Anaheim California to attend the National Association of Music Merchants
trade show. The winter NAMM show is the single largest event for music
retailers as well as builders, manufacturers, and distributors. In previous
years, Grant MacNeill and Dave Wren would attend the show on behalf of
the Twelfth Fret. This year was a little different. On Wednesday January
13th 2010, Grant traveled down to Anaheim to attend the show, along with
two NAMM rookies; Mike Gray and Nevin Douglas (yours truly). Leading up
to the show this year, I was definitely excited about seeing NAMM for the
first time, but I was also a bit unsure of what to expect.
Both Grant and Dave have spent decades building up
relationships of trust and respect across the industry. Going to NAMM every
year has been a way for them maintain many of these relationships in a
face-to-face environment, even if it is only for a few days at a time.
I couldn't help but wonder how people would react to not just one, but
two new faces representing the Twelfth Fret.
It then occurred to me that this year's show would
be an amazing opportunity for me to write a feature about NAMM as seen
through the eyes of a first-timer. As I found out over the past week, witnessing
a NAMM show for the first time is an incredible experience. So, rather
than pretend that its just another day at the office, I've decided to share
exactly how overwhelming and awesome it was to spend two solid days in
the absolute center of the music retail industry.
Link to NAMM 2010 Photo
Gallery
Link to NAMM 2010 Video Montage:
High Resolution
Low Resolution
Day 1
| Our walk towards the Anaheim Convention Center for the opening
of the NAMM show gave me my first clue as to just how big an event this
was going to be. Walking down the sunny avenue, we passed giant hotel after
giant hotel. Out of every door we passed flowed a steady stream of conventioneers,
all joining into a single bustling herd. Rounding a corner, the Convention
Center itself came into view. Its massive. By this point the sidewalks,
lawns, and the road itself are jammed full of pedestrians. Making our way
inside the building, we found the front hall absolutely packed as people
slowly made their way through check-in and into the show floor. A fully
equipped stage was set up in the main entranceway. Over the course of the
convention, this stage would be the venue of over a dozen musical acts
and performances from all over the world. This is in addition to the countless
concerts held in neighboring hotels during the convention. |
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Outside the main entrance
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Inside the main entrance
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We entered the convention through the lower level
Hall E. This ended up being my favorite room in the entire show. Companies
like Collings, Bourgeois, Santa Cruz, McPherson, Deering, and National
could all be found within 30 seconds of each other. Mixed in among them
were some other well established companies and builders, as well as some
new businesses. For younger companies, the NAMM show can make all the difference
with regards to the future success of their product. As we walked through
the hall, Grant reminisced to me about the early days of the Twelfth Fret.
Back when we were a young and relatively unknown shop, many of our first
contacts with builders were made at the NAMM show. There was a very specific
type of excitement in the room as we wandered around Hall E, and I'm sure
it comes from having so many relatively young builders and dealers meeting
and interacting with each other for the first time. With dozens of legendary
builders in one room, it can be easy to forget that you just might find
the “next big thing” quietly tucked away in a little booth in the corner.
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Jens Kruger demos a new Banjo pickup at Deering
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McPherson Guitars
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The Main Show Floor
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| After spending about an hour doing a tour of Hall E, we were
off to have our first meeting of the day with Taylor Guitars. Grant had
parted ways with Mike and me about 45 minutes earlier, the plan being to
meet on the second floor mezzanine at the Taylor room. Sounds simple right?
We made our way up the escalator from Hall E, which took us directly into
Hall D on the main show floor. Mike and I had to stop for a moment and
just LOOK AT THE SIZE OF THIS PLACE! From Hall D, we could look across
the entire length of the Convention Center main level. Well, not exactly
the entire level, because it was too long to see all the way to the far
wall! |
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Looking for a way to get upstairs to the mezzanine,
I spotted an elevator. We went up one level, and found ourselves looking
down a long hallway lined with offices. “This doesn't look like the Taylor
booth” I said as we began to walk down the hallway. We eventually made
it to the end of the hall and found ourselves in a stairway. “Maybe it's
farther up…” I said.
About 20 minutes later, we met Grant outside the
Taylor booth. “Did you get lost?” he asked, half joking. “You have no idea”
I said as I reached for my camera to show him the photos I had taken from
the catwalk that extended 60 feet above the show floor on the main level.
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"This doesn't look like the Taylor booth..."
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"Nice view, though!"
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“How did you get up there?” Grant asked looking both surprised and a
little confused. “ I wish I could tell you, but I'm really not sure.” I
said. Moving on to business, we went into the large office room Taylor
had set up beside their display booth and sat down with Steve, our Taylor
representative. After placing a few orders and catching up a bit, Steve
brought us into the beautiful main display room to take a look around,
and most importantly to choose some wood sets for three new Build-to-Order
Taylor guitars for the shop. In the corner of the room, Taylor had set
up a full workstation complete with hundreds of sheets of wood, all ready
to be made into something special. Mike and Grant spent almost an hour
going through wood sets, choosing details and appointments, and finalizing
designs.
| I spent some time watching, but was instantly distracted
when I spotted Bob Taylor himself off to one side of the room, demonstrating
a couple of guitars. I made my way closer and snapped a couple photos,
trying not to look too much like the psychotic fan boy I really am. Then
I started to listen to what he was saying. There is no doubt that Bob Taylor
knows how to build a great guitar, but I was amazed at how elegantly he
was able to discuss his ideas, and how happy he was to sit down and chat
with anyone interested. It was around then that I began to realize what
makes NAMM, and the entire guitar industry, so special. Most of the people
behind these massive companies love guitars as much as anyone else. Behind
all the money, planning, and day-to-day business, there is a deep down
excitement and enthusiasm that allows some guy like me to sit and talk
with someone like Bob about something we both love. You don't find that
kind of situation too often! |
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Taylor Acoustic Guitars
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Bob Taylor
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Taylor Electric Guitars
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After taking in everything we could from Taylor's display, the
three of us moved on to our next meeting; Martin Guitars. The Martin display
booth was located right smack in the middle of the main show floor. As
you can imagine, it was a very crowded place! Duane, our Martin representative,
gave us a piece by piece tour of the entire booth. Some of my personal
highlights include a limited edition D28 1955 CFM IV and dangerously good
looking limited edition OM Figured Koa with an Adirondack top. We'll give
you a closer look when they arrive, but for now you'll have to trust me:
these are two very special guitars!
We also got to see a D-100 model on display. We actually
sold a left handed version last spring. At over $100,000 US, these guitars
are NOT for the faint-of-wallet! |
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Martin OM Figured Koa
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Martin D100
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| Splitting up with Grant once again, Mike and I moved directly
to our next meeting of the day with the boys over at Egnater Amplification.
We have been carrying Egnater since I first met them at the summer MIAC
show in Toronto a couple years ago, and they have quickly become our best
selling brand of amplifiers. The past 18 months have seen a steady release
of new amps, from the now legendary Rebel 20 to the updated Rebel 30 and
Renegade series of heads and combos. This year, it's all about “The Tweaker”.
I spent about 20 minutes playing this 15 Watt all tube head, and I was
simply blown away. The Tweaker should be shipping out later in the spring.
I have until then to figure out how I'm going to fit another amp in my
apartment. Ughhh. |
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PRS Dragons
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| For the first time since we arrived, Mike and I found ourselves
with a chunk of time large enough to take a real look around. We were given
a tour of the PRS display. There were some real jaw-droppers as well as
some very interesting new models.
Walking past the Ibanez booth, we found Steve Vai had gotten
himself frozen in carbonite again. I don't think he has any gigs lined
up this month, so they have some time to figure out how to get him out
of there.
I also found the Batmobile in one of the last places I ever expected
to find it. |
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Frozen in carbonite
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na na na na na na na na Batman!
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Rocking out with Fryette Amps
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Orange Amplifiers built a small townhouse out of 4x12 speaker
cabinets. Mesa Boogie had a new amp so small I was tempted to try and sneak
it into my bag. We had a great visit with our friends at Recording King,
as well as Fryette Amplifiers (keep your eyes open for the new Memphis
30 combo… it's awesome!).
There were simply too many amazing displays for me to go through
and list them all. Every way we turned, there was another great looking
booth from another world renowned company.
| We ended our first day at the show on a nice highlight. We met
up with Grant back in Hall E at Bourgeois Guitar's booth. Dana was there
himself, and was an absolute pleasure to meet. There were a few very nice
pieces on display that I am looking forward to seeing here in the shop
fairly soon. I also have to take this opportunity to mention our ulterior
motive for visiting with Dana; we got to pose for a photo while he presented
us with an award for being the top Bourgeois retailer in the world. You
might not be able to make out the plaque in the photo, but it says “Biggest
Dealer in the World!” That's right. We're the biggest. |
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From left: Mike, Nevin, Master Luthier Dana Bourgeois, Grant.
We're the biggest.
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| After our meeting with Bourgeois, we dragged ourselves
away from the convention center and back to our hotel, where we talked
over our game plan for the next day, had a few beers, and ate ourselves
unconscious. |
Day 2
| Making our way around the convention center on Friday
morning, all three of us were suffering from the effects of the previous
day. My feet were aching, I don't think Mike ever fully woke up, and Grant
just didn't look like himself. |
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| Despite our exhaustion, we managed to move forward with our
day. Glen, our representative with Music Man, gave us a fantastic tour
of the Ernie Ball booth. There were several great new guitars on display.
My favorite was definitely the new version of the Albert Lee signature
model. We have one on the way in a super cool vintage white finish. We
also spent some time visiting Eastman to take a look at a few new guitars
and mandolins. I was able to hear a demo of the new LR Baggs Acoustic Guitar
pickup, called the “Anthem”, which was very impressive. Mike and I also
made our way to the far end of the convention center to take a look at
Roland's display, which filled an entire ARENA! It was a fantastic display.
Meanwhile, Grant paid a visit to National Resophonic Guitars who were showing
some beautiful pieces. |
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Eastman Guitars and Mandolins
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LR Baggs Anthem Acoustic Pickup
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Roland Cube Series Amplifiers
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National Wood Body Tricone
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National Resophonic Guitars
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| We met back up with Grant a few hours later back in Hall E for
our meeting with Collings Guitars. As expected, there was a beautiful selection
of instruments on display in Collings' booth, including Grants personal
favorite guitar of the show: the C10 Art Deco. Thanks to pure luck, we
also happened to bump into a few friends during our visit with Collings,
including Jean Larrivee. Here's what Grant has to say about our run in
with these guitar legends: |
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Collings Guitars
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| "Bill Collings is holding court with Jean Larrivée and Michael
Gurian: three of the principle patriarchs of acoustic guitar manufacture
in North America. Just to breath the same air with these guys
is a thrill." |
"John Larrivée is setting up another facility in Washington
state I gather...more news on that as things progress. Michael Gurian
continues to be very involved in guitar building and has become one of
the primary sources of custom guitar building supplies such as marketry
inlay strips, purfling, custom pearl and abalone design and veneers. Also
in the photo is Classical guitarist Muriel Anderson. We were fortunate
to have Muriel visit our shop in the 1990s to play a concert for us when
she was promoting Ramirez guitars...superb player and I'm pleased to see
that her career has blossomed over the past decade."
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Collings Electric and Archtop Guitars
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Grant's pick of the show: The Collings C10 Art Deco
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As we approached the home stretch, we went up to
the 2nd and 3rd level mezzanines for three of our biggest appointments
of the show: Gibson, Godin, and Fender Guitars. Our friends from Yorkville
Sound Jeremy and Jeff brought us to Gibson’s display room.
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The Gibson Show Room
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Getting to know the new Angus Young signature SG
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Limited edition ES 339 and a pair
of limited run ES 359 guitars
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| Closed to the public, I was surprised to find a very modest
selection of about a dozen guitars. The room was very quiet, without the
chaos or flash that filled the main show floor. This allowed us to slowly
walk around the room and spend a nice amount of time with each individual
instrument. Every guitar on display was something special and deserved
the chance to be looked at properly. The limited edition ES-359s were a
real standout. I'm hoping we will receive ours before the end of January.
Grant fell head over heels for the new Keb Mo L-00 Acoustic model. I gather
he ordered one on the spot. Stay tuned! |
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| Next up, we had a great tour of the Godin display room from
our representative Gary. We got to see some great new Simon and Patrick
models, as well as some very cool Seagull guitars. We also ran into Robert
Godin himself, who was happy as ever to spend some time showing us his
guitars and catching up with Grant. I've always been impressed by Godin’s
instruments, but being in a room filled with every line of acoustic and
electric guitar they build really hammered home just how fantastic they
are. I can't think of another company on Godin’s scale that offers so many
truly well made instruments. |
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Robert Godin and Gary Richardson
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Godin Electric Guitars
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Simon & Patrick Guitars
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The Godin 5th Ave Kingpin
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| Last but absolutely not least was Fender. We met up with our
representative Gregg, who did a commendable job of leading us through the
psychedelic circus that was Fender's display room. Music boomed out of
every corner, while club style lighting swirled around the room. I'm not
sure exactly how many guitars Fender had on display, but a safe bet would
be somewhere around 1000. That's not including all the amps, stages, PA
systems, and Televisions that filled the room. It was truly overwhelming.
Despite the chaos, I did manage to spot several great new models. A couple
ultra cool new versions of the Road Worn Telecaster are on the way, and
the American Special series is sure to be a big hit. |
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Fender's booth was massive, with too many guitars and amplifiers
to count!
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We ended our day by moving across the hall to Fender's
meeting room to sit down with Gregg and take care of some business. I have
to point out that Fender's private meeting room had more guitars on display
than most show rooms we saw! As we got settled, Gregg mentioned that we
just missed Jeff Beck come walking through the office a few hours earlier
on his way to a meeting. I couldn't help but picture a room full of exhausted
retailers and representatives starring slack jawed as Jeff Beck strolled
past their tables! Only at NAMM…
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Our second day at the NAMM show comes to an end
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Our last night in Anaheim was spent in a very quiet,
low key manner. Ya, right. It's impossible to gather thousands of musicians
from all over the world without some kind of party going down! Even in
my questionable condition at the end of the night, I was struck by what
a strange business the guitar industry is. Just a few hours earlier, I
was in a giant building with staggering amounts of money being thrown around..
This is definitely BIG business. Yet we were all able to relax and have
fun together, talking about how much we love music. To be clear, I did
my absolute best to maintain a professional persona the entire time.
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I wear my sunglasses at night
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Looking back, I'm still amazed by how much we were
able to see and do over the course of two days. It was a truly incredible
experience, and I hope everyone else is looking forward to spending some
time with the new products as much as I am. There are some amazing guitars
on their way this year. I hope you all enjoyed this look back at our trip,
and a little preview of what's to come!
- Nevin Douglas
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