Sergei de Jonge Custom Bearclaw / Zircote

 
    So what is a "good" guitar?  For that matter,  what is a truly "great" guitar?  Those of you who drop in to our site regularly probably feel that I think they're ALL great. Not so. 

   For starters,  Grant & I oversee all of the buying for our store.  If we didn't like the instrument,  it wouldn't end up in our store to begin with.  Out of the thirty to fifty guitars that are delivered to our store each week,  the tough part is not finding four or five for me to feature on the site.  The tough part is narrowing it DOWN to four or five!!!

    In today's market,  it is relatively easy to find competent builders who have put together instruments with excellent tonewoods,  impressive craftsmanship and detail oriented finish work ... really good sounding guitars.  You have to dig quite a bit deeper to unearth a really inspired creation like this guitar by Sergei de Jonge! 

    There were certainly no angst-ridden moments of indecision whether to include this gorgeous steel string in our What's New section.  It was a slam-dunk-no-brainer that shot to the top of my list the moment I played it! 


    Let's back up a bit though.  As much as sound and playability are everything,  let's admit it ... the first impression we have of a guitar as we open the case or see it hanging on a store wall is the looks.  Looks?  Well this one certainly has more than its fair share!  Of course the Bearclaw figured Engelmann top with spalted maple soundhole rosette framed by intensely quilted Bubinga binding catches your eye immediately ... as does the bookmatched peghead veneer with sapwood highlights!  It is when you turn this guitar over that you get the full visual impact!  This has to be by far the nicest set of Zircote I have ever seen ... the DEEP chocolate brown hue is just riddled with dramatic dark "rio" grain pattern and both the sides and back have matching sapwood highlights!  Once again Mr. de Jonge has redefined the word "exotic"!

    The real question is ... how does Zircote affect the sound of this stunning looking guitar?  This Central American hardwood is slightly denser than even Brazilian rosewood,  so intuitively I would tend to attribute the beautiful point on the attack transient,  the overall sonic precision and the iridescent overtone series to this relatively rare tonewood.   So where does the exceptionally sweet upper midrange quality come from?  To what do you attribute the immediacy of response,  the tremendous dynamic range and the extremely appealing general overall sonority?  Of course you attribute it to the builder ... Sergei de Jonge!!!

 
 

Link to audio file of David Martin playing this instrument

Link to David Martin page

Our audio file information
 
 

To see if this piece is still available
or to view more instruments from this maker,
please go to the main index of our What's New section
 


 
 

Specifications
Sergei de Jonge Custom Bearclaw / Zircote

*  1 3/4" bone nut
*  Zircote fingerboard
*  Zircote peghead overlays front & back
*  25 3/8" scale length
*  one piece tropical mahogany neck
*  hand fit dovetail/bolt neck joint
*  adjustable truss rod
*  precision Gotoh tuners with wood buttons
*  Bearclaw Engelmann spruce top
*  spalted maple soundhole rosette
*  15 1/2" lower bout dimension
*  4 3/8" deep at end pin
*  sculpted Zircote bridge
* intonation compensated bone saddle
*  2 3/16" string spacing at bridge
*  bone bridge pins with abalone dots
*  Pomelle Bubinga body binding
*  Master Grade Zircote back & sides
*  gloss lacquer finish
*  deluxe tweed arched top case

 


 
 
Link to Sergei de Jonge lightweight Concert Classical double-top guitar

Link to Sergei de Jonge Brazilian rosewood Custom guitar

Link to Sergei de Jonge Snakewood & Bearclaw Engelmann guitar

Link to Sergei de Jonge / Michael Kennedy double top Concert Classical guitar

Link to Sergei de Jonge Custom Pommele Quilt Bubinga / flamed Redwood guitar

Link to Sergei de Jonge Custom Crossover Jazz Nylon guitar


 
 

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