The Model 513 is possibly the most versatile guitar that Paul Reed Smith has introduced to date. The “513” stands for 5 pickups and 13 sounds!
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The PRS Mira model is a 24-fret guitar that features a 25” scale length, 10” radius, regular or wide-thin neck shape, locking tuning pegs, PRS non-adjustable Stoptail, abalone moon inlays, optional bird inlays, East Indian rosewood fingerboard, a solid mahogany body and neck, Mira Treble and Bass pickups, volume, tone, 3-way blade switch and mini toggle coil tap. The Mira model is offered in a range of colors including Vintage Cherry, Orange, Vintage Mahogany, Black, Wild Mint, Lilac, Seafoam Green, Powder Blue and Sandstorm.
MORE →The PRS McCarty II is the latest of Paul Reed Smith’s tributes to the great guitar innovator Ted McCarty. This stunning instrument comes standard with a carved figured maple top with a mahogany back body, 25″ scale length, 22-fret mahogany wide-fat neck with rosewood fretboard, moon inlays (new birds optional), PRS Stoptail, vintage style tuners, McCarty II truss rod cover and a new Mastering Voice Control. The Voice Control is fully variable from clean, clear vintage tones to powerful heavy metal sounds. The electronics package also includes new McCarty II Treble and Bass pickups with covers, volume and tone control, 3-way toggle pickup selector and a mini toggle for turning the Voice Control on and off.
MORE →Similar in spirit to the double cutaway Mira model, the single cutaway Starla has many vintage themed appointments and is PRS Guitars’ first solidbody electric guitar featuring a standard Bigsby B5 tail piece and a Grover Tune-O-Matic bridge. The guitar also includes exclusive Starla Treble and Bass pickups.
MORE →After the success of the PRS Hollowbody series, PRS has extended the line to include the new Singlecut Hollowbody. The SC Hollowbody is offered in two models: the SC Hollowbody Standard and the SC Hollowbody I, both featuring Stoptail bridges and 22-fret necks.
MORE →Mark Tremonti has shown time and time again that if you want something bad enough, hard work and determination will get you there. At age eleven, Mark swore that one day he would play on the same stage that he first saw Iron Maiden. In 1998 he accomplished that dream in Detroit, playing with Van Halen. That was only one of many dreams that have come true for Mark. Yet those who know Mark know that he is not a person to rest contently. He always strives to better himself, be it on guitar or just in life. That is his mantra and he continues to live by it every day.
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