The Twelfth Fret ~ Since 1977 ~

Posts Tagged Vintage

1959 Fender Jazzmaster (consignment) SOLD

1959 Fender Jazzmaster (consignment) SOLD

A classic, the 1959 Fender Jazzmaster.

Leo Fender introduced the Jazzmaster at the 1958 NAMM show and intended it as an upmarket offering to jazz guitarists. However, it wasn’t met with the same kind of roaring success as the Telecaster and Stratocaster and Precision Bass.

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1964 National Bluegrass 35 Res-O-Glas Resophonic (consignment) SOLD

1964 National Bluegrass 35 Res-O-Glas Resophonic (consignment) SOLD

Here is a rare 1964 National Bluegrass 35 Res-O-Glas resonator guitar!

Built between 1964 and 1967, the National Bluegrass 35 shares many features with the Supro Resophonic FolkStar.

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Pensa Custom MK-1 2000 (Consignment) SOLD

Pensa Custom MK-1 2000 (Consignment) SOLD

Here is a lovely Pensa Custom MK-1 in excellent condition selling for $3999.99.

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2007 Collings I-35 Deluxe (consignment) SOLD

2007 Collings I-35 Deluxe (consignment)  SOLD

Here’s a pristine 2007 Collings I-35 Deluxe, built in Austin, Texas. Collings’ attention to detail and build quality are incredibly high and they produce stunningly beautiful instruments.

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1965 Airline Professional Model No Longer Available

1965 Airline Professional Model No Longer Available

This is 1965 Airline Professional Model, 3-pickup electric with stock Bigsby tailpiece.

Airlines were found mostly in Montgomery-Ward catalogues in the 1960’s. While it now seems odd that electric guitars could be harder to come by, this was the case during the early 1960’s. Department store mail-order catalogues were a major player in the mass distribution of lower-cost instruments, and that’s how most of these instruments found their homes.

Airlines were made by Valco, who also produced National and Supro instruments.

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1975 Gibson L6-S Deluxe (consignment) No longer available

1975 Gibson L6-S Deluxe (consignment) No longer available

This is a 1975 Gibson L6-S Deluxe.

Introduced during 1973 in collaboration with Bill Lawrence, the L6-S was meant to provide a very versatile instrument at a lower production (and sales) cost, and to appeal to rockers who wanted something different than a Les Paul or SG, and to jazzers who remembered the big L-series archtops.

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