This example of the Gibson ES-345TD (the TD standing for Thinline body, Double pickups) is in good physical condition with no breaks, little scratching and one small chip at the top of the back of the head. It’s in good playing condition; it was professionally refretted and there isn’t a lot of wear on the frets.
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This 1974 Guild Starfire II Walnut is in good shape and is a good example of the quality of Guild instruments. The Starfire II is a fully hollow, 17 inch mahogany guitar with floating rosewood bridge and a florentine cutaway. The lacquer finish is lightly checked and there are just a few dings and scratches. It plays quite well and is set up with a moderately low action.
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This example of the Ibanez George Benson GB-10 is in very good condition, with light play wear; with a good clean it could look near mint but aged. The binding has yellowed very nicely, perhaps to the tone of a 1950’s guitar.
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Here is a very nice 1977 Guild X-175 Blonde Manhattan Archtop. Guild archtops are not extremely common, but are highly valued. Originally drawing from the heritage of the Epiphone workforce, Guild has produced many extremely good instruments over the years. They feature solid, practical designs, excellent wood selection, and top level craftsmanship.
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Here’s a great early piece – a 1944 Gibson J-45, built during the third year of production. Drawing heavily on the design of the just-discontinued J-35, the J-45 mostly differs with stiffer X bracing, tall, thin and scalloped top bracing, a fatter, non-V neck profile, and only being available with a sunburst finish.
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The Gibson Super 400 was the top of the line for many years, and appeared on stages in many genres. It was not only popular with jazz players, but also with country and rock guitarists; Merle Travis of course used a Super 400 CES and Scotty Moore recorded a lot of early Elvis material on his Super 400.
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