Next up is one of my favourite amps, the Fender 68 Custom Vibrolux Reverb. In regular production since 2014, this amp delivers 35 watts through 2×10 inch speakers and is loud enough for many venues.
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MORE →Next up is one of my favourite amps, the Fender 68 Custom Vibrolux Reverb. In regular production since 2014, this amp delivers 35 watts through 2×10 inch speakers and is loud enough for many venues.
This item has sold
MORE →Here’s something very special – a Watkins Dominator Mark 1 V Front Amplifier Reissue in Retro Blue. Hand built in the UK by John Beer, of Amp-Fix in Devon, UK with the full approval (and signature!) of Charlie Watkins, the original builder, this is number 35 of 100 built. The amp design closely follows the original Watkins Mark 1 circuitry, with improvements for current safety standards; the redesign was done by Chris Uff of English Valve Amps.
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MORE →Let’s start off with a classic amp in a format I’ve never seen before – an Ampeg B15N B Portaflex amp stacked on an extension cabinet!
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MORE →One of Fender’s earliest amps and built from 1946 to 1965, the Fender Pro combo amp carried a singe 15 inch speaker and grew from 18 to 40 watts before being replaced by the Pro Reverb amp. Initially called the Professional, shortened to Pro in 1948, this amp is one of the rarer Fender amps. Its circuitry is very much like the VibroVerb, but without reverb.
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MORE →The Fender Princeton Reverb amp appeared in 1964 as an upgrade to the Princeton amp that had been evolving in Fender’s lineup since 1948. Topping out at 12 watts through a 10 inch speaker, the Princeton found itself on many stages and studios. Though fairly low powered, it was not exactly a student or practice amplifier.
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MORE →The Fender Concert 1×12 60 watt amp was built from 1982 until 1985 and was the successor to the 1960 – 1965 40 watt 4×10 Concert models.
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