The Eastman E10SS evokes the spirit of the classic spruce and mahogany slope shouldered dreadnought guitars popular with countless artists since the late 1930s. This combination of materials and body design delivers a warm, rich tone with plenty of presence and volume. It works very well as an accompaniment to a voice. Starting with the slope-shouldered dreadnought body, the Eastman E10SS pairs an solid Adirondack Spruce top on a solid Mahogany back and side set.
Made In China
The Ibanez AGS73FM Thinline Archtop features a select-grade maple top, back, and sides. The fretboard is warm, bound Rosewood, contrasted by brilliant block inlays. The Artcore mahogany neck has proven its reliability on thousands of Ibanez hollow and semi-hollow bodies throughout the years. The Classic Elite pickups are moderate output, warm in tone, yet very responsive for various music genres. Sure Grip III knobs provide non-slip functionality and an ART-1 bridge provides improved sustain and tuning stability. Case sold separately.
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MORE →The Irish Tenor banjo is specially adapted to Irish and other Celtic music styles, pitched low to co-exist with the Bodhran, pipes and fiddles. The Gold Tone IT-250 Irish Tenor model offers a quality instrument at a reasonable price. The seventeen-fret IT-250’s short scale neck uses heavier strings and is tuned to GDAE, an octave below the mandolin. This setup is in wide use by many traditional Irish musicians because it provides the plunky tone that works so well with the bodhran, pipes and fiddles found in Celtic music ensembles.
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MORE →The Eastman MD815-V F-Style F-Hole Mandolin is one of the most recognisable mandolin designs, based on the groundbreaking work of Orville Gibson in the late part of the 19th century, blending traditional mandolin and violin construction principles. The F-Style mandolin has become one of the benchmark instruments for country, bluegrass, celtic, and traditional music forms. And, if you take a listen to Chris Thile, they can do Bach to the full potential of the player. Closely related to the Eastman MD814-V model, the F soundhole and its enhanced treble attack tilts the Eastman MD815-V towards Bluegrass and Country repertoires, compared to the F-holes on the MD815/V.
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MORE →The Gold Tone OB-250 has everything needed to produce THAT tone: a sand-cast bell brass flathead tone ring, a cast one-piece resonator flange circling a multi-ply maple rim with twin coordinator rods and an extra-deep curly maple multi-ply resonator for better low-end response. The curly maple neck has a bound ebony fretboard with hearts & flowers inlay. The bracket hooks even have metric threading to enable finer tension adjustment. “