The Twelfth Fret ~ Since 1977 ~

Posts Tagged gold tone

GoldTone EBM-5 Solidbody Electric Banjo

GoldTone EBM-5 Solidbody Electric Banjo

Need to be loud? Go ahead, plug this in and turn it up; you won’t even be able to hear the disappointed whining from the guitar players.

This model is also used by Winston Marshal of Mumford and Sons.

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Gold Tone Bob Carlin BC-350 Banjo

At the 2004 IBMA show, Bob Carlin and Wayne Rogers met to discuss the possibilities of a signature model 12″ banjo. The basic features requested by Bob were a 12″ pot, scooped fingerboard, specific neck dimensions and brass tone ring. These features were previously only found on banjos retailing for $1200.00 or above!

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Gold Tone Banjos: The Tranjo Travel Banjo

If you really miss your banjo when you travel, but don’t have a lot of room or inclination to lug a full sized pot assembly around, this Tranjo from Gold Tone is just the ticket. The Tranjo is a full scale banjo that breaks down to 20″ in length without tools in less than a minute! This is not a toy but a full scale banjo that plays and intonates well!!!

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Gold Tone Banjos: OB-250 Sunburst

With features such as sandcast bell brass flathead tone ring, one-piece zinc-alloy flange, 3-ply maple rim, bound ebony fingerboard with Hearts & Flowers inlays, planetary tuners and two way truss rod , the OB-250 from Gold Tone definitely is a front runner for best banjo in its class!

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Gold Tone Banjos : The CC-100R Plus

It is hard to get better value in an entry level banjo than Gold Tone Banjo’s Cripple Creek series. Today we are featuring the CC-100R Plus complete with rosewood fingerboard, mother-of-pearl markers, straight-line tailpiece, armrest, maple resonator, maple neck and brass tone ring. The upgraded stained finish, Planetary tuners and engraved armrest on this new “Plus” model really do add a nice traditional touch to the aesthetics of this instrument!

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SOLD! Gold Tone OT-800 Banjo

This new Tubaphone style open back is a welcome addition to an already impressive line of banjos by Gold Tone. Here’s what Chuck Levy had to say when he reviewed it.

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THE TWELFTH FRET

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