Here we have a very nicely preserved Santa Cruz OM Pre-War model in its stock configuration, pairing a Sitka Spruce top with Indian Rosewood for the back and sides. This lovely piece is in great shape with only light wear to the finish and negligible fret wear.
Sitka Spruce
Here’s a great deal on a New, Old Stock (NOS) Taylor Custom GA in Spruce and Figured Walnut, dating to early 2015 and at a significant price reduction! As the name suggests, the Taylor Custom GA is from Taylor’s Custom programme, sometimes known as BTO or ‘Build To Order’. The GA stands for Grand Auditorium, one of the larger body sizes but smaller than a Jumbo or Dreadnought.
Here we’re looking at a Gibson J-45 Standard in Vintage Sunburst, built at Bozeman Montana late in 2016 as a 2017 model. The J-45 first appeared in 1942 and has been in constant production, except for the 1982-1984 period. It has been one of the most popular instruments for solo, group and vocal accompaniment, providing a full rich sound.
This instrument has sold
MORE →The Martin D16GT was built from 1999 to 2019 and like the D-18, pairs a Sitka Spruce top with Mahogany for the back, sides, body blocks and neck. The ‘GT’ references the Gloss Top finish – the rest of the guitar’s finish is satin. On these models, the fingerboard and bridge are Richlite, and the head plate is Granadillo.
This instrument has sold
MORE →The Gibson J-50 ADJ Slope Shoulder Dreadnought models were produced in tandem with the better known J-45, with the difference being the J-50’s natural vs the J-45’s sunburst top. This sometimes meant that the J-50’s used visually higher grades of Spruce, but the two guitars are otherwise identical.
This instrument has sold
MORE →Seen here is a wartime (WW2!) Martin D-18 Dreadnought, built during 1943 at Nazareth PA and in great playing condition. Accompanied by a recent appraisal from George Gruhn, this piece is in structurally very good condition with wear expected for over 80 years of use. The back of the head does not have a ‘Made in USA’ stamp, which was typically used to identify guitars built for export, particularly to Canada.