The D’Addario Micro Headstock Tuner is a feature-packed tuner your audience will never see. This highly accurate tuner features a full-color display with four selectable viewing angles (two vertical, two horizontal) in a housing that blends with the aesthetics of any instrument.
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Here’s a rarity -a Polytone MiniBrain 75w Amplifier Head dating to the 1990s and a veteran of many jazz club gigs in the Toronto area. The Polytone MiniBrain is nicely portable at just under 9 pounds (4kg) and with its largest dimension being 12 inches (304mm), by 11 inches (280mm) and 3 inches (76mm) deep. It sports EQ and drive controls, has an internal spring reverb and external effects loop connectors. Output is listed as 75 watts into 4 ohms.
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The Fender Super Reverb was built from 1963 to 1982, and was one of Fender’s physically largest combo amps – though the most powerful combo was the Twin Reverb. The Super Reverb delivered 40 watts as ‘Blackface’, then 45 watts as ‘Silverface’ and ultimately 70 watts for models after 1977, through four ten inch speakers. The Twin Reverb, in contrast, used a pair of twelve inch speakers to deliver 85 watts, ranging up to 100 ultimately 135 watts in 1977.
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Built from 1946 to 1965 in evolving forms, the Fender Pro Combo amp was the largest of three amplifiers offered when Fender opened. It was replaced in 1966 by the Pro Reverb.
From its first 18 watt incarnation to its 40 watt exit in favour of a Reverb-equipped model, the Fender Pro combo amp featured a single 15 inch speaker. As a higher powered amp, its ‘Harmonic Vibrato’ circuit differs from that used on models past the Vibrolux.
The new Marshall SC20C, part of the Studio classic line, is based on one of the three most revered Marshall amps in history – the JCM800 2203. With a recognizable aggressive roar these Marshall amps helped to define heavy metal and has been used by Slayer, Metallica and Bring Me The Horizon. Originally launched in 1981, the Marshall JCM800 amp was named after Jim Marshall’s initials and his car registration plate. The aggressive sound of this 100-watt amp made it a go to choice for countless rock and metal bands.
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The new Marshall SV20C in the Vintage Studio line is a portable combo with the raw power and classic rock voicing of the original Marshal Plexi’s all valve tone.
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