The Larrivee OM-40 Legacy model is a tonally well balanced orchestra size flat top with classic appointments. It features a mahogany back and a sitka spruce top. This tone wood combination provides rich midrange warmth and smooth articulation.
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The Schecter C-1 Apocalypse model is a fast playing workhorse of a guitar. It features a double cutaway super strat style body with an arched top and a super comfortable set neck with ultra access to the upper frets. The combination of the slim c neck profile, the compound radius of 12” to 16” and stainless steel x- jumbo frets makes big string bends and wide vibrato a breeze. The swamp ash body is light and balances well and looks great with the rust grey finish.
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Here we have a Ramirez 1a Long Scale classical guitar built during 1967, during the ‘golden era’ of Jose Ramirez III’s leadership of the Ramirez workshop at Concepcion Jeronima No. 2 in Madrid, Spain. This well-used instrument features a long scale of 664mm or 26.14 inches, intended to provide increased volume and projection for the professional concert performer. With Jose Ramirez III leading the workshop, this Ramirez 1a Long Scale has the initials CLL on the slipper foot. Its construction defines the tradition that countless other builders follow, with the slipper foot join integrating the sides and neck for maximum resonance and response.
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The Laskin Flamenco is built using a Sitka Spruce top paired with a Cypress back and side set, and Cedro or Spanish Cedar for the neck, linings, and back bracing. Construction is the traditional Spanish ‘slipper foot’ style – the neck, heel and neck block are one unit, with the sides slotting into the heel. This is in distinct contrast to other methods where the neck and body are built separately, often using a dovetail or mortise and tenon joint. The head plate and binding are Ebony, and the fingerboard is Ebony with Ebony binding. The bridge is Indian Rosewood.
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Built in Newtownards, Northern Ireland, the Avalon Ard Ri A3 330 shows the influence of the company’s history with George Lowden, but also new in-house designs. Lowden Guitars is still operating and producing high quality instruments under the leadership of George Lowden. The original Lowden company was on the verge of folding in 1988 due to weak demand for acoustic guitars, a situation pressuring many builders at the time.
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Built in Newtownards, Northern Ireland, the Avalon Ard Ri L2-310C shows the influence of the company’s history with George Lowden, but also new in-house designs. Lowden Guitars is still operating and producing high quality instruments under the leadership of George Lowden. The original Lowden company was on the verge of folding in 1988 due to weak demand for acoustic guitars, a situation pressuring many builders at the time.
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Dmitry Kulakov has brought us one of his newer creations, the DK Cleopatra model featuring his Fibonacci body shape, Sitka Spruce top and Amazon Rosewood for the sides and back. New guitar designs are relatively easy to come up with, but what’s much more difficult is having that design work as a functional and good sounding instrument. The DK Cleopatra succeeds in these regards, resulting in an attractive and visually striking and rather good sounding instrument.
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This excellent Deering Sierra banjo dates to December of 2010 and was built at the Deering shop in Spring Garden, California, with capo tacks installed at frets 7, 9 and 10. The Deering Sierra Maple banjo carries a satin finish, and in this case it’s quite clean with no dents or scratches. The metal hardware is nickel plated, and unlike chrome this develops a light patina over time; the plating itself does not show any significant wear. Fret wear is light.
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This Harrison GB Spruce top thinline archtop electric in a lovely Amber tint, built during 2008 at Harrison’s shop in Toronto, Canada. The Douglas Harrison GB thinline archtop guitar has proven very popular with jazz guitarists. Designed with – and originally for – the late Gary Benson and built in Toronto, Ontario, the Harrison GB uses a carved solid spruce top on a chambered back. The neck has a compound radius, from 12 to 16 inches.
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G W Barry has been building fine steel strings for some time, and this M-body cutaway dates to 1995 at his shop in Toronto. Built with a Sitka Spruce top, Indian Rosewood back sides and headplate, with mahogany for the neck and ebony for the fingerboard and bridge, maple binding and an abalone rosette, this guitar is in very nice condition.
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The Miller Barncaster is a take on the classic Tele design appearing in a number of variations. This Alastair Miller Barncaster, Rosewood on Barn board model was created in Alastair Miller’s shop using a barnboard core capped with Indian Rosewood and a Cocobolo neck, and custom wound Miller Pig Farmer pickups. The bridge pickup measures 7.4K ohms, the bridge 8.5K ohms. The other components are also top quality CTS pots with vintage era cap, and Switchcraft jack and switch. The pickguard is lacquered Bakelite.
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The Collings OM2H is based on the venerable ‘Orchestra Model’ design, which is a bit bigger than the 000 size and has a longer scale length – 25.5 inches instead of 24.9. This model pairs a Sitka Spruce top with Indian Rosewood for the back and sides. The neck is Mahogany, as are the body blocks, and Ebony is used for the bridge and bound fingerboard and head plate. Inlay material is Abalone for the ‘snowflake’ position markers and Mother of Pearl for the headstock Collings logo.
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