Based on the classic Spruce and Rosewood Dreadnought design, the Boucher Studio Goose SG-52 features an Adirondack Spruce top with Indian Rosewood back and sides.
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Sharing many features with the SG-21 and SG-41, the Boucher Studio Goose SG-51 features an Adirondack Spruce top but with Indian Rosewood back and sides. The Studio Goose SG-51 uses the OM Hybrid, or Orchestra Model body shape modified to work better with fingerstyle playing. The very white, locally harvested Adirondack Red Spruce top is paired with Indian Rosewood to provide warm, crisp tone . The neck is South American Mahogany, and Ebony is used for the headplate, fingerboard and bridge. Bindings are Maple with Herringbone purfling.
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The Gibson ES-175 archtop electric was in production from 1949 until 2017, because it does exactly what many jazz and rock guitarists needed it to do. Comfortable and reliable, the ES-175 delivers a rich tone and its laminate construction makes it feedback resistant, compared to carved solid top models. To that point, it did appear on large, higher volume rock stages, notably in the hands of Steve Howe of Yes. It was also a common choice for early rock and rockabilly artists.
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The Boucher Richard Bennett signature series model is based on the classic Dreadnought body, pairing an Adirondack Spruce top with Brazilian Mahogany for the body and neck. This combination provides a full tone with crisp sparkling highs and fast response. Decoration on the Richard Bennett model is minimal – it focuses on tone and performance.
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This Harrison GB Custom example features a carved Maple, F-hole top with ‘blister’ figuring on a Mahogany body, routed out to provide a fully hollow body. The neck uses three pieces of Mahogany, with a Macassar Ebony for the fingerboard, headplate, tailpiece and bridge. Binding is flamed Maple. Gotoh 510 21:1 ratio tuners with gold tinting provide smooth, accurate tuning. The hand built tailpiece is solid and designed to allow fast string changes. The frets are stainless steel, which significantly reduces the rate of fret wear.
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Built from 1918 to 1935, the C F Martin 0-18K is a small body Koa wood guitar intended for Hawaiian music, which was very popular at the time. Another very similar version, the 0-18KH (for Hawaiian) was built between 1927 and 1928. Based on the proven ‘parlor’ size 0 body, the 0-18K used Koa for the top, sides and back, Mahogany for the neck with an unbound Ebony fingerboard and Ebony bridge. At the time this example was built – likely around November 1930, given the serial number – straight Bar frets were still used.
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The Taylor 510E is now discontinued, so this is one of the last ‘as new’ examples you’re likely to find. It is built on the classic Spruce top, Mahogany back and side formula that works so well for fingerstyle and flatpicking. Here, it’s paired with a slotted headstock, which increases downbearing at the nut, and hence open string sustain and separation, without increasing head pitch.
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The Gibson ES-335TD was an immediate hit at its 1958 introduction as a thinline, two pickup, double cutaway archtop electric. It addressed many of the needs professional guitarists had dealing with ever-increasing stage volumes while retaining the classic archtop tone profile. Over the years, the specs have changed somewhat, but the model has remained in constant production and has been seen and heard on countless stages and studios.
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The National ResoRocket is a great sounding cutaway resophonic guitar, and with the addition of a Hotplate resonator cover, it’s ready to go on the loudest stages or through any effects rig. The ResoRocket has all the tone of a National, and the visual charm of the Tri-Cone, but it’s a single cone model featuring the cutaway, ‘Bendaway’ steel body and Tri-cone style vents. The 12-fret neck is comfortable and
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The C. F. Martin 000-28EC Eric Clapton is based on the 000 model, first introduced in 1902 and with a number of updates has been in continuous production. It is very similar to the later OM or Orchestra model – the two models share the same body design but, the OM has a 25.4 inch scale length compared to the 000’s 24.9 inch.
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The Eastman E10 OOSS is a rebuild of a classic – the OO body shape with an Adirondack Spruce top and Mahogany back, sides and neck with Rosewood fingerboard and bridge. This design comes from the 1898 Martin OO18, which was built until 1995, and again since 2006 with a few variations. The OO body is a bit larger and louder than the ‘Parlor Guitar’ size, and closer to the volume of a classical guitar body. These are known as being tonally very well balanced, with good clarity and separation between notes. They make excellent fingerstyle guitars.
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As one of the company’s top left handed models, the Gold Tone OB-250F LH is built to highest standards with a bell bronze tone ring, curly maple neck, all chrome hardware, premium tuners with the classic Gibson Mastertone style Hearts & Flowers inlay pattern. Fitted with the ‘correct’ one piece Zinc flange and maple rim, you will get the same classic ‘snap’ or Mastertone ‘cluck’ from your right hand Scruggs-style attack.
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