The Gibson Super 400 strode above most others when giant archtops roamed the earth, and is still one of the largest production guitars made. Making its introduction in 1934 as the ‘Super L-5 Deluxe’, the non-cutaway model was quickly joined by a cutaway model, initially named the Super 400 P for ‘Premiere’. The ‘400’ designation was originally a reference to the price.
Reduced
Introduced during 1973 and built until 1979 – the Norlin era – the Gibson Les Paul Signature Thinline Gold Top, is a rarity, and as a guitar has never been re-issued in any form. We have seen in-person one other example, during the 1980s, in The Twelfth Fret repair shop. Approximately 1,400 Gold Top models were built, and under 100 in Sunburst. It was also available as a bass. This model uses the construction of an ES-335, but its asymmetrical body has approximately the top half of a 335 and the bottom half of a Les Paul.
In 2008, the PRS Santana MD was released – the MD standing for ‘multi dimensional’. The key difference is in the wiring – there’s an extra switch that enables the ‘Multidimensional Voice Control’ circuit, allowing a range of new tones. In the ‘off’ position, the controls work as standard master volume and tone controls. The PRS MD circuit is powered by a pair of standard 9v batteries, but if the batteries are not used or lose enough charge, the switch will silence the guitar, rather like a standby or kill-switch.
From Dmitry Kulakov in Ottawa Ontario, the DK Essence model is based on his slope-shouldered, X-braced ‘Cleopatra’ body, but with a DK custom bridge and tailpiece. The top of the DK Essence is Master-grade Red Cedar with a water-based lacquer finish. The sides, back, headplate, tailpiece and Rosette inserts are figured
Black Walnut.
This National M2 Mahogany single cone resophonic guitar was built during 2019 in San Luis Obispo, California. It is equipped with an aftermarket Krivo humbucking pickup. The M1 and M2 models are currently out of production, and were built from 1990 to 1994 and again from 2003 to at least 2019. The National M2 Mahogany was National ResoPhonic’s earliest single-cone model.
The Beard Legacy R RoundNeck features a small Mahogany body and neck with Ebony fingerboard, with a single-cone spider-type resonator set. This example dates to 2008 at Hagerstown, Maryland and includes a factory-installed pickup, custom built by Beard with Jerry Douglas and Larry Fishman.
Designed by Duke Kramer and Chet Atkins in 1976 and launched in 1977, the Gretsch Atkins Super Axe model 7680 was built under Baldwin ownership in DeQueen Arkansas, and available with and without built-in effects. These models went out of production in 1980.
The Gibson J-50 ADJ Slope Shoulder Dreadnought models were produced in tandem with the better known J-45, with the difference being the J-50’s natural vs the J-45’s sunburst top. This sometimes meant that the J-50’s used visually higher grades of Spruce, but the two guitars are otherwise identical.
Over the years, the Gibson Les Paul Standard has gained and iconic position in the guitar pantheon, though it has been in and out of favour as time passed. Built during 1976, about halfway through Norlin’s ownership, this Gibson Les Paul Standard sports a classic tobacco sunburst finish.
Built from 1997 to 2000, the Martin Thomas Humphrey C-1R offers a Humphrey element normally found primarily on high-end classicals – an elevated fingerboard. Thomas Humphrey was an American luthier who apprenticed for a year with Michael Gurian around 1970, and then opened his own shop.
Here we have a lovely 1972 vintage Yamaha GC-20D classical guitar with a spectacular Brazilian Rosewood set for the sides and back. The ‘GC’ stands for ‘Grand Concert’ and these models were the top of the line for Yamaha classical guitars, and are seriously good instruments. As the GC-20D, this model was built from 1971 to 1973.
This a Larrivee LV-05E Lefty in very good, clean condition. Part of the Select Series, this model pairs a Sitka Spruce top with Mahogany for the sides, back and neck, with Ebony for the bridge and fingerboard. This model includes a factory stock L R Baggs pickup and pre-amp set; power is provided by a standard 9v battery placed on the neck block.
Built in a tiny corner of the USA, this Darren Hippner Romanillos style classical guitar illustrates why its maker has such a good reputation. This slightly short-scale guitar – 25 inches or 635mm- was built during 2012 and no longer appears in his listing of available models.
Always tasteful and visually restrained, the Gretsch G6129 Silver Sparkle Jet first appeared in 1954 as an answer to the Les Paul model. While there are some immediately apparent visual similarities – the single cutaway body of Mahogany with a Maple cap – underneath there were significant differences. From 1954, the original Gretsch Jet models started with a Maple body, routed to provide a number of chambers for resonance and weight relief.
Built in 2006, this is a Larrivee LV-05E in very good, clean condition. Part of the Select Series, this model pairs a Sitka Spruce top with Mahogany for the sides, back and neck, with Ebony for the bridge and fingerboard. This model includes a factory stock L R Baggs I-Mix Notch pickup and pre-amp set; power is provided by a standard 9v battery located under the pop-out pre-amp.
Built in Victoria BC during the spring of 1982, this Larrivee C-10 – also known as an L-28 – sports a very nice vintage Seahorse headstock inlay by Wendy Larrivee. The Larrivee C-10 is still in production, though not as elaborate as this vintage example. Its base is a pointed Florentine cutaway L-body with a Sitka Spruce top and Indian Rosewood for the back, sides and head plate.
The Rickenbacker Roger McGuinn Limited Edition 370/12 is based on the classic model used on a number of influential recordings.
The Epiphone Texan FT79N – the N indicating a Natural finish on the top rather than Sunburst – was built as a slope shoulder dreadnought from 1958 to 1970 when Epiphone production ceased in the USA. The Epiphone FT79 was originally built from 1941 to 1958 as a square shoulder dreadnought with Walnut back and sides until 1949, and then with laminated Maple until the company was sold to Gibson in 1958.
One of the iconic rock basses, the Rickenbacker 4001 bass was built as a two-pickup version of the 4000 bass, adding a neck pickup to the distinctive Cresting Wave body design by German luthier and designer Roger Rossmeisl. Built from 1961 to somewhere between 1983 and 1985 when it was replaced by the 4003 bass, the Rickenbacker 4001 bass features a Maple body and through-body Maple neck, with a bound and finished Indian Rosewood fingerboard.
This is a Framus Diablo Supreme in Satin natural finish, built during 2010 in the Warwick shops at Markneukirchen Bavaria. Though the designation didn’t exist when this example was built, Framus soon after identified these guitars as Masterbuilt. This guitar is in very good, clean condition and features an AAA-grade book matched Maple cap on a Mahogany body and a Mahogany neck with Indian Rosewood fingerboard.
This Sergei de Jonge Classical guitar was built during 1980 in Toronto, following de Jonge’s return to Canada from a year in Holland and creation of a new workshop. Having learned guitar building in Toronto during the years 1969 to 1971 from Jean Larrivee and Edgar Monch via Eli Kassner, and then a year with Patt Lister in Collingwood, this de Jonge classical shows these strong influences.
Influenced heavily by the Sheraton used by Noel Gallagher in Oasis, the Epiphone Supernova was built from 1997 to 2005, with a signature pickguard and features making it the Noel Gallagher Supernova. It was available in a variety of finishes including the Manchester Blue seen here, and a custom Union Jack graphic.
Here’s a very nicely figured and very good condition Gibson Memphis ESDT-335 in gloss natural finish, dated to Jul 11 2012 at the now-closed Gibson Memphis plant. The Gibson Memphis ESDT-335 is a slight variation on the standard ES-335, with the ‘ES’ standing as always for ‘Electric Spanish’. ‘Spanish’ refers to how the guitar is held and played, with one of the few other primary designations being ‘EH’ for ‘Electric Hawaiian’.
This CFox SJX, is a ‘Small Jumbo with Vintage X Brace’, production model built under the supervision of luthier Charles Fox in Healdsburg, California. It was sold new in February 2003 at The Twelfth Fret and is in overall good condition. This instrument features a Sitka Spruce top, Indian Rosewood sides and back, Mahogany body blocks and neck, and Ebony fingerboard and bridge. An L R Baggs pickup system has been installed, with the volume control on the bass edge of the sound hole.
Crafted for Fender Japan, this Fender Antigua Telecaster dates to 2002-2004 and was built by Tokai Gakki in Hammamatsu. Not many of these were built, and some carried a factory Bigsby. The heel carries the serial number and the ‘Crafted in Japan’ logo, and these reveal the builder.
Crafted for Fender Japan, this Fender Antigua Stratocaster dates to 2002-2004 and was built by Tokai Gakki in Hammamatsu. It is one of about 400 built. The heel carries the serial number and the ‘Crafted in Japan’ logo, and these reveal the builder. When CBS sold Fender Management the company, the deal did not include plant or fixtures, leaving Fender with no US production facilities.
Without a doubt the Don Grosh Hollow Carved Top model in Purple AA Quilted Maple and Korina catches the eye! With a pair of Lindy Fralin P-90 pickups, it was built around 1997 in Broomfield, Colorado.
Don Grosh was Shop Foreman for Valley Arts guitars from 1985 to 1993, when he opened his own shop as Grosh Guitars. His instruments are extremely high quality, using top of the line materials and components.
The Fender Thinline Telecaster was introduced in 1969 as a design by Roger Rossmeisl, who had done major work for Rickenbacker. There have been a few versions of this model, and this particular 1998 example seems to me one of the best ever.
Since its introduction as the Broadcaster in 1950 as the world’s first two-pickup, solidbody electric guitar, the Fender Telecaster has gone from strength to strength. It has been used in virtually every musical context that accepts electric instruments, and many musicians have built careers on its use. It’s truly an inspired design. Here we’re looking at a Fender Telecaster Maple Neck in Sunburst finish and largely original condition, built during 1978 in Fullerton, California during the CBS era.
Built at the De Jonge shop in Chelsea, Quebec during 2013, this Sergei De Jonge 7-string cutaway fine instrument is in exceptional condition with very little wear. It features a cutaway body with spruce top and Indian Rosewood for the back, sides, bridge and headplate, and an ebony fingerboard on a mahogany neck. The original TKL tweed case is included, and a Small Dog insulated case cover is available for $189. CITIES documentation is included in the case.
Here’s something special, a lovely Romantic Era guitar built by Francois Tachet in Mirecourt, northeastern France, during the 1830s or early 1840s. Mirecourt has long been known for making musical instruments and lace; instruments from the area are often referred to as from the Mirecourt School. Louis Panormo was a contemporary, working in London. This Francois Tachet romantic guitar – at approximately 185 years old – is in good working order, and has had some expected service over the decades.
Here’s a real beauty! This is a Larson Bros Prairie State steel string guitar, likely a Model 425 with a OOO sized body, Adirondack Spruce top paired with Brazilian Rosewood for the sides and back. It is likely that the bridge is a replacement – the original would have had engraved, inlaid stars on each of the bridge ‘wings’. The Larson Brothers, Carl and August, began working for the Robert Maurer guitar company in 1893. In 1900, Maurer decided to retire, and the Larsons and investors purchased the company. Over the years, Carl bought out the investors giving the brothers full control.
Here’s a great deal on a New, Old Stock (NOS) Taylor Custom GA in Spruce and Figured Walnut, dating to early 2015 and at a significant price reduction! As the name suggests, the Taylor Custom GA is from Taylor’s Custom programme, sometimes known as BTO or ‘Build To Order’. The GA stands for Grand Auditorium, one of the larger body sizes but smaller than a Jumbo or Dreadnought.
Featuring a solid Sitka spruce top, layered Copaifera sides and back, Venetian cutaway and the Expression System 2 pickup system the Taylor 214ce CF DLX is a stage ready, reliable and great sounding guitar. The Grand Auditorium body shape is an excellent general-purpose shape. Its width is similar to a dreadnought but with a much curvier shape which changes the response and dynamics. It is equally well suited to finger style or strumming so you can use it for many different styles.