The Gibson Hummingbird is one of the most recognizable guitar models with its square-shoulder dreadnought body and distinctive hand-painted pickguard.
Traditionally, many players may have shied away from a 12 string guitar due to their large size but the Taylor 362ce 12 string now provides a beautiful compact alternative.
Part of their recording series, the Larrivee L03 is an American made instrument with excellent craftsmanship, tone and value.
Here we have a Fender Jazz Bass dating to 7 May 1962 with a Burgundy refinish replacing the original Sunburst. This is a fairly rare Rosewood Slab Board model, indicating a type of neck built in Fullerton, California until mid 1962. The Fender Jazz Bass was introduced in 1960, aimed at the Jazz bass players who had not adopted the Precision Bass or who wanted a thinner neck and more focused tone. The Offset Body that debuted on the 1958 Jazzmaster was used for the Jazz Bass body.
The Martin M38 uses Martin’s largest non-dreadnought body design, sometimes called the ‘0000’ body because of its size and balanced shape. Martin’s M body draws from a guitar built for David Bromberg by Matt Umanov in the 1960s, which itself is a flat-top conversion of a Martin F-7, an archtop model built between 1935 and 1939, and from 1941 into 1942. The M38 was built from 1977 to 1997, as the 0000-38 from 1997 to 1998, and again as the M38 from 2007 to 2011. Currently Martin builds the M36 as a standard model.
The Taylor 517e Builder’s Edition uses of the company’s newest body shapes, the Grand Pacific. This is a round shoulder dreadnought design, paired with Taylor’s new V class bracing system. This marks a new sound for Taylor guitars inspired by classic acoustic guitar recordings and the sonic improvements of their V class bracing. The tone is warm with powerful clear bass and round full notes that smoothly blend together to create a unified harmonic voice.
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