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The Twelfth Fret's Most Recent Instrument Arrivals

Boucher Studio Goose SG-52 Indian Rosewood Dreadnought Guitar

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Listed: 18/01/2019

Boucher Studio Goose SG-52 Indian Rosewood Dreadnought Guitar

Based on the classic Spruce and Rosewood Dreadnought design, the Boucher Studio Goose SG-52 features an Adirondack Spruce top with Indian Rosewood back and sides.

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Boucher Studio Goose SG-51 OM Hybrid Cutaway Rosewood 14 Fret Guitar

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Listed: 18/01/2019

Boucher Studio Goose SG-51 OM Hybrid Cutaway Rosewood 14 Fret Guitar

Sharing many features with the SG-21 and SG-41, the Boucher Studio Goose SG-51 features an Adirondack Spruce top but with Indian Rosewood back and sides. The Studio Goose SG-51 uses the OM Hybrid, or Orchestra Model body shape modified to work better with fingerstyle playing. The very white, locally harvested Adirondack Red Spruce top is paired with Indian Rosewood to provide warm, crisp tone . The neck is South American Mahogany, and Ebony is used for the headplate, fingerboard and bridge. Bindings are Maple with Herringbone purfling.

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Gibson ES-175 Archtop Electric Sunburst, 1991

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Listed: 17/01/2019

Gibson ES-175 Archtop Electric Sunburst, 1991

The Gibson ES-175 archtop electric was in production from 1949 until 2017, because it does exactly what many jazz and rock guitarists needed it to do. Comfortable and reliable, the ES-175 delivers a rich tone and its laminate construction makes it feedback resistant, compared to carved solid top models. To that point, it did appear on large, higher volume rock stages, notably in the hands of Steve Howe of Yes. It was also a common choice for early rock and rockabilly artists.

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Boucher Signature Series Richard Bennett Mahogany Dreadnought

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Listed: 17/01/2019

Boucher Signature Series Richard Bennett Mahogany Dreadnought

The Boucher Richard Bennett signature series model is based on the classic Dreadnought body, pairing an Adirondack Spruce top with Brazilian Mahogany for the body and neck. This combination provides a full tone with crisp sparkling highs and fast response. Decoration on the Richard Bennett model is minimal – it focuses on tone and performance.

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Harrison GB Custom Blister Maple Top Thinline Archtop, 2019

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Listed: 17/01/2019

Harrison GB Custom Blister Maple Top Thinline Archtop, 2019

This Harrison GB Custom example features a carved Maple, F-hole top with ‘blister’ figuring on a Mahogany body, routed out to provide a fully hollow body. The neck uses three pieces of Mahogany, with a Macassar Ebony for the fingerboard, headplate, tailpiece and bridge. Binding is flamed Maple. Gotoh 510 21:1 ratio tuners with gold tinting provide smooth, accurate tuning. The hand built tailpiece is solid and designed to allow fast string changes. The frets are stainless steel, which significantly reduces the rate of fret wear.

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‼️Reduced‼️ C F Martin 0-18K Steel String Guitar Koa, 1930

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Listed: 17/01/2019

‼️Reduced‼️ C F Martin 0-18K Steel String Guitar Koa, 1930

Built from 1918 to 1935, the C F Martin 0-18K is a small body Koa wood guitar intended for Hawaiian music, which was very popular at the time. Another very similar version, the 0-18KH (for Hawaiian) was built between 1927 and 1928. Based on the proven ‘parlor’ size 0 body, the 0-18K used Koa for the top, sides and back, Mahogany for the neck with an unbound Ebony fingerboard and Ebony bridge. At the time this example was built – likely around November 1930, given the serial number – straight Bar frets were still used.

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‼️Off the Map‼️ Taylor 510E Dreadnought Steel String, 2016

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Listed: 16/01/2019

‼️Off the Map‼️ Taylor 510E Dreadnought Steel String, 2016

The Taylor 510E is now discontinued, so this is one of the last ‘as new’ examples you’re likely to find. It is built on the classic Spruce top, Mahogany back and side formula that works so well for fingerstyle and flatpicking. Here, it’s paired with a slotted headstock, which increases downbearing at the nut, and hence open string sustain and separation, without increasing head pitch.

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Gibson ES-335TD Thinline Electric Guitar Walnut, 1975

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Listed: 16/01/2019

Gibson ES-335TD Thinline Electric Guitar Walnut, 1975

The Gibson ES-335TD was an immediate hit at its 1958 introduction as a thinline, two pickup, double cutaway archtop electric. It addressed many of the needs professional guitarists had dealing with ever-increasing stage volumes while retaining the classic archtop tone profile. Over the years, the specs have changed somewhat, but the model has remained in constant production and has been seen and heard on countless stages and studios.

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National ResoRocket with Hotplate, Steel Finish, 2008

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Listed: 16/01/2019

National ResoRocket with Hotplate, Steel Finish, 2008

The National ResoRocket is a great sounding cutaway resophonic guitar, and with the addition of a Hotplate resonator cover, it’s ready to go on the loudest stages or through any effects rig. The ResoRocket has all the tone of a National, and the visual charm of the Tri-Cone, but it’s a single cone model featuring the cutaway, ‘Bendaway’ steel body and Tri-cone style vents. The 12-fret neck is comfortable and

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‼️Reduced‼️ C. F. Martin 000-28EC Eric Clapton Left Handed, 2013

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Listed: 22/10/2018

‼️Reduced‼️ C. F. Martin 000-28EC Eric Clapton Left Handed, 2013

The C. F. Martin 000-28EC Eric Clapton is based on the 000 model, first introduced in 1902 and with a number of updates has been in continuous production. It is very similar to the later OM or Orchestra model – the two models share the same body design but, the OM has a 25.4 inch scale length compared to the 000’s 24.9 inch.

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‼️Reduced‼️ Eastman E10 OOSS Steel String Acoustic Sunburst, 2015

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Listed: 25/09/2018

‼️Reduced‼️ Eastman E10 OOSS Steel String Acoustic Sunburst, 2015

The Eastman E10 OOSS is a rebuild of a classic – the OO body shape with an Adirondack Spruce top and Mahogany back, sides and neck with Rosewood fingerboard and bridge. This design comes from the 1898 Martin OO18, which was built until 1995, and again since 2006 with a few variations. The OO body is a bit larger and louder than the ‘Parlor Guitar’ size, and closer to the volume of a classical guitar body. These are known as being tonally very well balanced, with good clarity and separation between notes. They make excellent fingerstyle guitars.

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Gold Tone OB-250F LH Orange Blossom Left Hand 5-String Banjo, 2015

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Listed: 10/01/2019

Gold Tone OB-250F LH Orange Blossom Left Hand 5-String Banjo, 2015

As one of the company’s top left handed models, the Gold Tone OB-250F LH is built to highest standards with a bell bronze tone ring, curly maple neck, all chrome hardware, premium tuners with the classic Gibson Mastertone style Hearts & Flowers inlay pattern. Fitted with the ‘correct’ one piece Zinc flange and maple rim, you will get the same classic ‘snap’ or Mastertone ‘cluck’ from your right hand Scruggs-style attack.

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Our Most Recent Amps and Electronics Arrivals

Fender Vibrolux Reverb Combo Amp Silverface, 1976

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Listed: 17/01/2019

Fender Vibrolux Reverb Combo Amp Silverface, 1976

Fender Vibrolux Reverb Combo Amp Silverface, 1976

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‼️ REDUCED‼️ 65 Amps Lil Elvis 12 Watt 1×12 Combo Tube Amp Black, 2013

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Listed: 21/11/2018

‼️ REDUCED‼️ 65 Amps Lil Elvis 12 Watt 1x12 Combo Tube Amp Black, 2013

Today we are looking at a 65 Amps Lil ELvis, a 12 watt 1×12 inch speaker combo hand-wired tube amp with effects loop, tremolo circuit and power scaling via the Master control.

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Gibson GA-90 Combo Amplifier 6×8 25 Watt, 1953

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Listed: 20/12/2018

Gibson GA-90 Combo Amplifier 6x8 25 Watt, 1953

The Gibson GA-90 combo amplifier was designed by Seth Lover for Ted McCarty and appeared in 1953. Its design covered both guitars and the new Gibson electric bass.

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Gibson Maestro GA-45 Amplifier, 1957

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Listed: 20/12/2018

Gibson Maestro GA-45 Amplifier, 1957

Like Fender, Gibson offered amplifiers. Fender was surrounded by country music, but Gibson was in the Polka Belt and so produced amps like the Maestro GA-45, voiced for accordion.

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Fender Super Reverb Amplifier Silverface, 1968

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Listed: 20/12/2018

Fender Super Reverb Amplifier Silverface, 1968

For years, it was very common to see the Fender Super Reverb on stages everywhere. Pushing 45 watts through a 4×10 speaker set, the Super Reverb packaged everything most players needed.

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Fender Super Champ Tube Amp with EV Speaker, 1983

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Listed: 20/12/2018

Fender Super Champ Tube Amp with EV Speaker, 1983

The Fender Super Champ development sterted in 1982 with newly hired Paul Rivera leading the engineering team. Their first project was updating the classic 5-watt amp to 18 watts with reverb, drive and master volumes, hand wired with point to point techniques. Some versions, like this, added a 10 inch EV Force 10 speaker.

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Fender Bandmaster Blackface Head and Cabinet, 1964

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Listed: 17/12/2018

Fender Bandmaster Blackface Head and Cabinet, 1964

First appearing in 1954 and built to 1974, the Fender Bandmaster amplifier transformed from a 26 watt single-15 inch combo to a 40 watt head and 2×12 cabinet set.

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‼️ REDUCED‼️ Fryette/VHT Deliverance 60H Head and 2×12 Cabinet, 2007

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Listed: 28/06/2018

‼️ REDUCED‼️  Fryette/VHT Deliverance 60H Head and 2x12 Cabinet, 2007

The VHT Deliverance 60H is a hand built professional grade tube amp made in the USA, designed by Steven Fryette. This example dates to 2007, before the VHT name was sold to AXL, and was built by Fryette in his Burbank, California shop. It includes an 212FB-P50E 2×12, stereo closed-back speaker cabinet with a pair of custom Eminence P50E speakers.

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Watkins Dominator Mark 1 V Front Amplifier Reissue

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Listed: 14/11/2018

Watkins Dominator Mark 1 V Front Amplifier Reissue

One of only 100 built – the Watkins Dominator Mark 1 V Front Amplifier Reissue! The Watkins Dominator was bleeding edge for 1956, and its blistering 18 watts and two ten inch speakers struck fear in to the hearts of many promoters. The concept of the V-front is to widen the sonic field, rather than focus it straight ahead. Though it was rapidly pushed off stage by other much higher powered amplifiers, the Dominator was used extensively in studios during the 1960’s and was apparently the basis for the 18-watt Marshall combo design.

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❌Sold❌ Fender ’65 Deluxe Reverb ‘Blackface’ Amplifier, 2006

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Listed: 12/12/2018

❌Sold❌   Fender '65 Deluxe Reverb 'Blackface' Amplifier, 2006

Fender ’65 Deluxe Reverb ‘Blackface’ Amplifier, 2006

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Marshall JTM Tremolo 50W ‘Bluesbreaker’ Combo Amp 2×12, 1990

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Listed: 01/11/2018

Marshall JTM Tremolo 50W 'Bluesbreaker' Combo Amp 2x12, 1990

The Marshall ‘Bluesbreaker’ model was one of the defining amps of the 1960s, though it was rapidly eclipsed by much higher powered and ever-louder models. The real, original name was the Marshall model 1961, a 30 watt amp with 4×10 inch speakers built for Eric Clapton. That was quickly replaced with a 2×12 version, the model 1962. The 1962 was what Clapton used while in John Mayall’s Bluesbreakers, and that gave the amp its nickname.

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Fender 65 Delxue Reverb Combo Amp, 2010

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Listed: 24/09/2018

Fender 65 Delxue Reverb Combo Amp, 2010

The Fender 65 Deluxe Reverb amp is a re-creation of one of the classic American amplifiers, used on countless stages and smash hit recordings. It puts 22 watts through a single 12 inch speaker, a good power level for studios and smaller stages, or larger stages that have good house sound support.

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