This Fender Princeton 6G2 Brownface Amp is a real treat. In good, complete and original condition, this spent most of its life with a lap steel.
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MORE →This Fender Princeton 6G2 Brownface Amp is a real treat. In good, complete and original condition, this spent most of its life with a lap steel.
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MORE →The Fender Princeton Reverb Blackface was a successor to one of Leo Fender’s first amps, the 5-watt, 1×8 speaker 1946 Princeton aimed at students. Over the years that model evolved into a the 15-watt, 1×10 speaker combo with Reverb and Tremolo. And over those years, it was adopted as a key tool for session players due to its great sound, relatively low power, light weight and portability.
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MORE →The new Marshall SC20C, part of the Studio classic line, is based on one of the three most revered Marshall amps in history – the JCM800 2203. With a recognizable aggressive roar these Marshall amps helped to define heavy metal and has been used by Slayer, Metallica and Bring Me The Horizon. Originally launched in 1981, the Marshall JCM800 amp was named after Jim Marshall’s initials and his car registration plate. The aggressive sound of this 100-watt amp made it a go to choice for countless rock and metal bands.
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MORE →The Fender Princeton Reverb amp appeared in 1964 as an upgrade to the Princeton amp that had been evolving in Fender’s lineup since 1948. Topping out at 12 watts through a 10 inch speaker, the Princeton found itself on many stages and studios. Though fairly low powered, it was not exactly a student or practice amplifier.
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MORE →This is a treat – a Fender 65 Princeton Reverb Limited Edition dressed in ‘Fudge Brownie’ colours! The Princeton was the amp of choice for many recording sessions.
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MORE →The Fender Super Champ development sterted in 1982 with newly hired Paul Rivera leading the engineering team. Their first project was updating the classic 5-watt amp to 18 watts with reverb, drive and master volumes, hand wired with point to point techniques. Some versions, like this, added a 10 inch EV Force 10 speaker.
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