One of Fender’s earliest amps and built from 1946 to 1965, the Fender Pro combo amp carried a singe 15 inch speaker and grew from 18 to 40 watts before being replaced by the Pro Reverb amp. Initially called the Professional, shortened to Pro in 1948, this amp is one of the rarer Fender amps. Its circuitry is very much like the VibroVerb, but without reverb.
The Fender Super Reverb was built from 1963 to 1982, and was one of Fender’s physically largest combo amps – though the most powerful combo was the Twin Reverb. The Super Reverb delivered 40 watts as ‘Blackface’, then 45 watts as ‘Silverface’ and ultimately 70 watts for models after 1977, through four ten inch speakers. The Twin Reverb, in contrast, used a pair of twelve inch speakers to deliver 85 watts, ranging up to 100 ultimately 135 watts in 1977.
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The Fender Bassman 4×10 was used by countless professional and amateur musicians throughout North America – less so in Europe because of import duties and restrictions – and was the basis for many later classic amplifier designs. Notably, an English drummer turned music shop owner used this amp as the basis for his own designs, sold under the Marshall name.
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For years, it was very common to see the Fender Super Reverb on stages everywhere. Pushing 45 watts through a 4×10 speaker set, the Super Reverb packaged everything most players needed. These amps project well, and can be loud and clean. The Super Reverb was the 1963 evolution of the Super amp line that first appeared in 1947.
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The Fender Super Amp has been built in a number of versions over the years, starting as 20 watts in 1946 and finally up to 60 watts.
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