The Fender Princeton Reverb Blackface was a successor to one of Leo Fender’s first amps, the 5-watt, 1×8 speaker 1946 Princeton aimed at students. Over the years that model evolved into a the 15-watt, 1×10 speaker combo with Reverb and Tremolo. And over those years, it was adopted as a key tool for session players due to its great sound, relatively low power, light weight and portability.
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THe Fender 59 Bassman LTD recreates one of the seminal guitar amplifiers, popular with both bass players and guitarists and the basis for many other designs, including the Marshall JTM45.
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The Genz Benz Streamliner 900 bass amp was introduced in 2011 and built until the brand, founded in 1984, was discontinued in late 2013.
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Next up is one of my favourite amps, the Fender 68 Custom Vibrolux Reverb. In regular production since 2014, this amp delivers 35 watts through 2×10 inch speakers and is loud enough for many venues.
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One of Fender’s earliest amps and built from 1946 to 1965, the Fender Pro combo amp carried a singe 15 inch speaker and grew from 18 to 40 watts before being replaced by the Pro Reverb amp. Initially called the Professional, shortened to Pro in 1948, this amp is one of the rarer Fender amps. Its circuitry is very much like the VibroVerb, but without reverb.
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The Fender Princeton Reverb amp appeared in 1964 as an upgrade to the Princeton amp that had been evolving in Fender’s lineup since 1948. Topping out at 12 watts through a 10 inch speaker, the Princeton found itself on many stages and studios. Though fairly low powered, it was not exactly a student or practice amplifier.
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