The Mesa Boogie Mark I combo amp was originally based on various Fender amplifiers – a Princeton with Bassman circuitry and a 12 inch speaker.
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MORE →The Mesa Boogie Mark I combo amp was originally based on various Fender amplifiers – a Princeton with Bassman circuitry and a 12 inch speaker.
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MORE →The Suhr Badger 35 is a moderately powered, hand built tube amplifier topping out at 35 watts and scaling down to 1 watt for tone at more manageable volumes. This single channel amp features power scaling with power, drive and gain controls, an effects loop on the back, and bass, middle and treble controls. Built in Lake Elsinore California during April 2007, this Suhr Badger 35 is in very clean condition and does not appear to have been roaded or used much outside a studio.
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MORE →The Suhr Badger 18 is a relatively small tube amplifier topping out at 18 watts and scaling down to 1 watt for tone at more manageable volumes. This single channel amp features power scaling with power, drive and gain controls, an effects loop on the back, and bass, middle and treble controls. Built in Lake Elsinore California during June 2007, this Suhr Badger 18 is in very clean condition.
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MORE →The Mesa Boogie Mark IIB appeared in August of 1980, built till May 1983 and was the likely first guitar amp to provide a tube buffered effects loop.
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MORE →Introduced in 1985, the Mesa Boogie Mark III was the third major version of this iconic ‘upgrade’ of the Fender Princeton. The original concept was built for an unsuspecting Barry Melton of Country Joe and the Fish, then tested and named by Carlos Santana. Built for at least five years, these amps can be dated by a coloured stripe above the power cord. These amps were rapidly adopted by professional players around the world, and have appeared on countless stages and recordings.
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MORE →The Mesa Boogie Road King, here in a 2×12 combo version, is an extremely capable and versatile amp, with four channels, two effects loops and 120 watts of power. This is not a bedroom amp! The Road King is designed to give the working guitarist a wide array of tones that can be readily tailored to the needs of the tune and venue. The four preamp sections can be mated with any of five (!) power amp sections, using EL34 or 6L6 tubes.
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