Handbuilt in Wilmington North Carolina, the Swart AST Pro is a road-enhanced version of the Atomic Space Tone 18-watt, 1×12 inch speaker amp. Designed with guitarist Greg V, the AST Pro has a deeper, cabinet that allows recessing the amp chassis for knob and switch protection.
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The Fender Tremolux amp was built for 11 years, from 1955 to 1966. In 1960, Fender revamped its line, increasing power output, and several higher-output models were split into two pieces, head and cabinet. These new versions also sported a Tolex covering instead of Tweed.
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This afternoon our guest is a lovely Clark Beaufort Reverb 1×12 Combo Amplifier Blackface dating to around 2013, based on the tube-chart serial number. This model is based on the AB-763 circuit used in the early Blackface Deluxe models.
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Appearing in 1958 as the AC2, the Vox AC-4 sported a 6.5 inch speaker delivering 3.5 watts. The speaker was quickly upgraded to an 8 inch model, and the name changed to AC-4.
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Hiwatt DR-103 100 watt head in good, largely original condition. It was built at Kingston, Surrey in 1974 and initialed by Harry Joyce, who was hired by David Reeves as one of the few who met his rigid quality standards . One tube socket has been replaced, and it has JJ power tubes. This amplifier has been serviced by Brandon Montgomery at Bludotone Amps. Physically, it is in good shape with smaller wear to the Tolex covering. The two original Partridge transformers are in place and working well.
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The National Glenwood amplfier line was built from 1961 to 1967, with models like the Glenwood Vibrato appearing around 1964. These amps work very well for bluesy contexts, breaking up nicely as they are pushed and not being overwhelmingly loud.
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