The Gibson SGJ 120th Anniversary model seen here in a satin “Chocolate” finish was built for the 2014 model year, and the name SGJ possibly represents a revival of the ‘SG Junior’ concept.
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MORE →The Gibson SGJ 120th Anniversary model seen here in a satin “Chocolate” finish was built for the 2014 model year, and the name SGJ possibly represents a revival of the ‘SG Junior’ concept.
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MORE →The Gibson SG ‘Batwing’ Standard started appearing in 1966, displacing the smaller, treble-side pickguard, offering much more protection to the top of the guitar during enthusiastic use. The SG itself was originally introduced as the 1961 Les Paul, but without Les Paul’s input and at the end of his endorsement contract. For various reasons, the Les Paul name was dropped for 1963 production and has been the SG or ‘Solid Guitar’ since.
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MORE →Here we’re looking at a Gibson Les Paul Standard Cherryburst dating to December 16th 1998 and built at the Gibson Nashville plant. It is in overall good original condition with some light wear on the back in the form of light scratches, and a number of small dents and dings around the body particularly where the player’s arm rests on the lower bass bout. It has little other wear, including negligible fret wear, and plays well. The pickups used on this Gibson Les Paul Standard are the original 498R and 490T set with chrome plated covers, and the original pickguard is still in place.
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MORE →The Gibson Howard Roberts Fusion III, the last iteration of the Howard Roberts models, appeared in 1991 and was built until the model was discontinued around 2010, though it went out of production between 2003 and 2005. The first Fusion models appeared in 1979. Howard Roberts was a prominent American jazz guitarist, session player and teacher, born in 1929 and died in 1992. As part of the key LA session crowd The Wrecking Crew, Roberts played on many recordings, TV show and movie scores.
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MORE →Making its first appearance for 1954 , the Gibson Les Paul Custom has long been the top of the line for many electric guitarists. During the 1950’s, the Custom differed from the rest of the Les Paul line in an invisible way. Unlike the other models with a Maple cap, the Custom had a carved Mahogany top.
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