The Eastman MD814/V F-Style Oval-Hole Mandolin is based on the groundbreaking designs by Orville Gibson in the late part of the 19th century, blending traditional mandolin and violin construction principles.
The Eastman MD815-V F-Style F-Hole Mandolin is one of the most recognisable mandolin designs, based on the groundbreaking work of Orville Gibson in the late part of the 19th century, blending traditional mandolin and violin construction principles. The F-Style mandolin has become one of the benchmark instruments for country, bluegrass, celtic, and traditional music forms. And, if you take a listen to Chris Thile, they can do Bach to the full potential of the player. Closely related to the Eastman MD814-V model, the F soundhole and its enhanced treble attack tilts the Eastman MD815-V towards Bluegrass and Country repertoires, compared to the F-holes on the MD815/V.
Before Eastman Strings came along, you just could not get an all solid true carved (not pressed) mandolin in this price point. Well the folks at Eastman have once again pushed the boundaries of what you can expect in an affordable instrument with the introduction of their new MD815V varnish finished F-5 style mandolin!
This instrument has sold
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Hello Grant. Just want to let you know that my banjolele arrived on Monday afternoon, so the postal strike didn’t hold it up too long. I’m delighted with the quality craftsmanship of the instrument and I was right that the shorter fingerboard is much easier for my 81 year old hands! So, here’s a shot of me with it in my studio with my dog Dusty laying beside me. Now just to harden up my fingertips and loosen up my finger joints! (Dusty loves it too!)
Thanks for everything.
Best. John.
John McConnell – Deering banjolele
October 2018
(Victoria, British Columbia, Canada)
I came to Twelfth Fret with an all original 1967 Gretsch Chet Atkins Tennessean which I had purchased online. The guitar was barely playable, would not tune and was just a very expensive disappointment. After a consultation with Scott, he came up with a plan to see if this guitar could be brought back to life. After great communication, Scott put his skillful hand to work and gave me back one of the greatest guitars I have ever played!
I went from totally disappointed with this guitar, to it being one of my favorites. I don’t know how Scott did it, but unbelievable. Great communication throughout the process, incredibly skillful work, and most of all just a real desire on Scott’s behalf to bring this thing back to life as best he could. I went from having totally given up, to very boastful to own this guitar. Completely blown away.
Absolutely no hesitation bringing any future projections to Scott and the rest of the staff. Thank you so much!
