The Gretsch Chet Atkins Nashville appeared in 1964, identical to the previous year’s 6120 model in almost every respect aside from the name. Introduced in 1954 as a full-bodied, single cutaway archtop equipped with DeArmond Dynasonic single coil pickups until the new humbucking Filter ‘Tron pickups appeared in 1958, in the early 1960s the Gretsch 6120 underwent a major change.
Baldwin
Here is a Gretsch Chet Atkins Tennessean 6119, dating to December of 1966, before the July 31 1967 sale of Gretsch to the Baldwin Piano Company. Introduced in 1958 and built until 1980, the Tennessean started as full size, hollow body and single-pickup, plainer version of the 6120. For 1961, however, Gretsch made dramatic changes to many models and the 6119 gained the new, sealed ElectroTone body and a pair of new single coil HiLo’Tron pickups.
Built from 1968 to 1972, the Gretsch 6071 bass is a thin hollow body bass, using Gretsch’s sealed ElectroTone body and a one Super ‘Tron type bass pickup. It’s closely related to the dual pickup 6073 bass built to 1971, most famously used by Peter Tork with the Monkees. Here we’re looking at an early and largely original Gretsch 6071 bass, built in 1968, its first year of production at the Brooklyn plant. It features a laminate Maple ElectroTone body with faux F-holes.
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MORE →The Gretsch Committee G7628 came into being during the era of Baldwin ownership – summer 1967 to early 1985 – and was built from 1977 to 1980. This is a solidly Baldwin era Gretsch Committee G7628, a solid-body, through-neck double cutaway design built of Maple and Black Walnut. With a bound Indian Rosewood fingerboard, it carries a pair of humbucking pickups under a ‘bat-wing’ type pickguard. The pickguard was either opaque or transparent. The pickups feed through a mini-toggle selector switch and individual volume and tone controls. A hardtail bridge strung through the body and enclosed tuners complete the hardware.
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MORE →By the mid 60’s Burns was a dominant name in the UK. The Virginian was the last guitar Jim Burns designed for his company,
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MORE →The Burns Bison Bass was a favourite among session musicians in the Sixties due to its long scale and a very wide range of tones, including the famous Wild Dog setting. Originally built from 1964 to 1965, the Bison Bass has an unmistakable look with its large horned body. Originally issued using the typical Burns scroll headstock, it now uses a more standard 4-a side Fender-esque headstock.
The Burns company was restarted by Barry Gibson in the late 1990s and has been producing reissues of the earlier Burns designs. This Bison Bass dates to 2012 and was built in Korea at a high-quality plant.
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