Designed by Duke Kramer and Chet Atkins in 1976 and launched in 1977, the Gretsch Atkins Super Axe model 7680 was built under Baldwin ownership in DeQueen Arkansas, and available with and without built-in effects. These models went out of production in 1980.
Baldwin
This Gretsch 7655, a Chet Atkins Tennessean in a shaded cherry finish, dates to October of 1974 and appears to be in very good, clean and original condition. This guitar is from the Baldwin era and was built in Booneville, Arkansas. In 1958, Gretsch launched the original Tennessean as model 6119, placing it below their very popular 6120 Chet Atkins model. The ElectroTone (sealed) single-cutaway body was thinner, and at first it had one Filter ‘Tron in the bridge position.
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MORE →The Gretsch Chet Atkins 6122 Country Gentleman appeared in 1957 with the 6119 Tennessean, bracketing the popular 6120 model. These were the first of Gretsch’s thin body designs, and unlike Gibson’s new 3xx models, were fully hollow – no center block. Gretsch’s approach to feedback suppression was different, with the sealed ElectroTone body offering some resistance. Chet Atkins himself promptly switched from a 6120 to the Country Gentleman as his primary studio guitar.
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MORE →Here is a Gretsch Chet Atkins Tennessean 6119, dating to December of 1966, before the July 31 1967 sale of Gretsch to the Baldwin Piano Company. Introduced in 1958 and built until 1980, the Tennessean started as full size, hollow body and single-pickup, plainer version of the 6120. For 1961, however, Gretsch made dramatic changes to many models and the 6119 gained the new, sealed ElectroTone body and a pair of new single coil HiLo’Tron pickups.
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MORE →Built from 1968 to 1972, the Gretsch 6071 bass is a thin hollow body bass, using Gretsch’s sealed ElectroTone body and a one Super ‘Tron type bass pickup. It’s closely related to the dual pickup 6073 bass built to 1971, most famously used by Peter Tork with the Monkees. Here we’re looking at an early and largely original Gretsch 6071 bass, built in 1968, its first year of production at the Brooklyn plant. It features a laminate Maple ElectroTone body with faux F-holes.
This instrument has sold
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