The Mahogany-bodied National ResoRocket WB combines the lovely sonority of a wooden body in a Bendaway single-cone instrument to create a unique National guitar.
The National Resophonic Style O – yes it’s a letter O, not a zero – goes back to the designs of the 1920s and early salvoes in the Guitar Volume Wars. This 12-fret neck example, dating to March 2015 and built at the National plant in San Luis Obispo, California, blends features of the Style O and Style O Deluxe, particularly in the choice of Mother of Pearl diamond shape position markers. It is in pristine condition with the original hard shell case.
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We’ve received a brand-new National Reso-Phonic Pioneer RP1 semi-hollow electric in a fabulous Chipped Ivory finish! These are great guitars with unmistakable tone and the solid build quality expected from a National Reso-Phonic guitar. The neck is maple with ebony fingerboard, and the body is semi-hollow finished steel. The Lollar P-90 in the neck position provides a warm, fat tone and the piezo element in the bridge accurately reproduces the resonator tone. Active circuity rounds it out.
Today we’re looking at one of the seminal resophonic guitars, a National Style 0 in ‘Etched Silver’ finish dating to around 1930. The Resophonic design dates to 1927 as a successful effort in increasing volume. While tri-cone models were the first, the single cone Style 0 offered more volume and lower production costs, though the harmonic content is not as rich as the tri-cone. In general, single cone models provide a sharp attack and quick decay, somewhat like a banjo, while tri-cones deliver a smoother rise and more sustain.
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National Triolian Polychrome ‘Palm Yellow’ Resophonic Guitar, 2010
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The ResoRocket WB is one of National Reso-Phonic’s newly designed single resonator guitars and features distinctive Tricone-style grill work and a cutaway!
