Here is a rare beauty – a Gibson Custom Le Grande archtop electric model from 2008, the successor to the classic Johnny Smith model built from 1961 to 1989. The Le Grande made its debut in 1993 and while it hasn’t appeared on Gibson’s website or catalog since around 2010, is still available on special order. The ‘stock’ finish is a Vintage Sunburst, with the Natural finish seen here as an extra-cost option. Always intended for the serious professional guitarist and never in mass production, the Gibson Custom Le Grande features a 17 inch wide body with carved, solid Sitka Spruce top, carved solid and highly figured Maple back and figured maple sides.
Byrdland
Here’s a real beauty – a Gibson ES350 Electric Archtop built during 1951 at the historic Parsons Street shop in Kalamazoo, Michigan. The ES-350 was built from 1947 to 1956, and for 1957 received a thinner body and new name – the ES-350T, the T standing for Thinline. This model was played extensively by top artists like Barney Kessel, Chuck Berry, B B King and Tal Farlow. At its 1947 introduction, the Gibson ES350 was named the ‘ES-350 Premiere’ and was a full body, single cutaway archtop with a single P-90 pickup in the neck position. For 1949, it received a second pickup. Construction was typical of Gibson’s electric archtop production, with Laminate Maple for the top, sides and back, part of an attempt to reduce feedback at stage volumes.
The Gibson Byrdland Florentine Cutaway model has been in production since 1955 though Gibson also offers the original sharp Venetian cutaway. It is based on a thinline version of the classic L5-CES body, but with a short scale length of 23.5 inches, two inches shorter than the L5. The Byrdland was introduced as a custom model for two top Nashville session players, Billy Byrd and Hank Garland.
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MORE →The Gibson Byrdland Florentine cutaway model originally had a rounded, ‘Venetian’ cutaway between its introduction in 1955 and 1960, and regained the Venetian cutaway in 1969. Modern Custom Shop ‘reissue’ models are available with either shape, since 1992. The Byrdland had its origins in the requirements of busy working session guitarists – two working session guitarists in particular. Hank Garland and Billy Byrd were two of the top Nashville players throughout the 1950’s.
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MORE →The Gibson Byrdland thinline archtop electric appeared in 1955 and represents a functional adaptation to traditional archtop electrics. Two top Nashville session players, Billy Byrd and Hank Garland were approached by the Gibson president, Ted McCarty for ideas on new products. As busy players, Byrd and Garland wanted a shorter scale length of 23.5 inches to allow complex, extended chord shapes.
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MORE →The Gibson ES-350T has been built in three periods, with two scale lengths. From 1955 to 1964, it had a standard 24.75 inch scale length. From 1977-1981 and 1992-1993, the scale length is 25.5 inches. As well, the initial production used P-90 pickups till the new Humbucking models were introduced in 1957. This model was intended as a lower cost, yet professional grade alternative to the solid spruce top Byrdland, and uses laminated Maple construction for feedback resistance. The fingerboard is Indian Rosewood, on a Maple neck.
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