The Martin 00 28 model has been in production, though not continuously, since 1898 and is a mid-sized guitar, between the 0 and 000 or OM body sizes. The ’00’ indicates the body size, while the ’28’ indicates the materials trim and decoration level. Like other ’28’ models, it pairs a Sitka Spruce top with Indian Rosewood for the back, sides and head plate, Mahogany for the body blocks and neck, and Ebony for the fingerboard and bridge.
Ebony
The Martin D28L is, as the name suggests, the left handed version of the classic D-28 that made its debut in 1931 and immediately became one of the benchmark steel string guitars. Built using the dreadnought ‘D’ body with ’28’ features, it pairs a Sitka Spruce top with Indian Rosewood for the sides, back, head plate and bridge. The neck is Mahogany with a 25.4 inch (645mm) scale length Ebony fingerboard and 1.7 (43.2mm) nut width.
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MORE →The Eastman ER2 El Rey is designed to produce a full archtop sound from a smaller, much lighter body – it is only 14 inches across, a bit bigger than a Gibson Les Paul. Otherwise it has a relatively typical archtop construction – solid, hand carved spruce top, solid and hand carved flame maple back, solid flame maple sides and neck, and ebony for the fingerboard, bridge base, and tailpiece cover.
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MORE →Here we’re looking at a William Laskin Flamenco Blanca guitar, dating to 1987 and built at his Toronto workshop and recently set up by The Twelfth Fret Repair Shop. It is built in the traditional Spanish manner with a ‘slipper heel’. In this design, the neck is essentially one piece (aside from any scarf joint for the peghead) and the carved heel and neck block are separated by slots that the sides fit into. This construction method is quite different from the use of a dovetail or mortise and tenon joint, or any of the newer hybrid joints that may include a single bolt.
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MORE →This Beard R Model Squareneck was built during 2013 at the Beard shop in scenic Hagerstown, Maryland, is in very good condition and has the Fishman Nashville ‘Jerry Douglas’ pickup installed. This one is ready to go, onstage or on tour! This model features solid Mahogany for the neck and open-soundwell body, and the binding is Curly Maple. The fingerboard is Ebony, with Mother of Pearl for the position markers; the bridge is Maple with an Ebony cap and that covers the woods used.
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MORE →The Taylor T5 C2 Koa is now discontinued but was introduced in 2005 to meet the needs of touring musicians who had to pare back the number of instruments they carried. Built to simulate the tones and responses of solidbody, semi-hollow and fully acoustic models, the T5 line succeeded in its aims while also looking great on any kind of stage. This Taylor T5 C2 Koa has a serial number dating it to October 10, 2005. It’s built with Sapele for the back and sides, with nicely figured Hawaiian Koa for the top. The neck is also Sapele, with a bound Ebony fingerboard sporting the ‘Spires’ inlay pattern.
This instrument has sold
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