The Gibson ES-175D was formally introduced in 1953 as the Double P-90 pickup version of the single-pickup ES-175. Informally, a few were shipped in 1951 and 1952 but without the ‘D’ designation. This guitar came onto the scene in 1949 as a single pickup archtop with a sharp Florentine cutaway, Maple laminate body construction, Mahogany neck and Rosewood bridge and bound fingerboard.
ES-175D
The Gibson ES-175D Double Pickup Cutaway Archtop was one of the most popular instruments for the working jazz guitarist, from its introduction in 1953 until its recent discontinuation. The 175 was built of Maple laminates, to reduce both feedback and prices. Joe Pass, Kenny Burrell, Joe Diorio, Toots Thielmans, Wes Montgomery, Pat Martino, Herb Ellis, Howard Roberts, Jimmy Raney, Pat Metheny – all at one time in their careers played and recorded with the venerable Gibson ES-175D.
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MORE →The Gibson ES 175D, now discontinued, was one of the most popular archtop electric models for working jazz players, with classic lines and tone. The ES-175 first appeared in 1949 with a single P-90 pickup at the neck position, and was followed by the Dual pickup ES-175D in 1953. In 1958, the P-90 pickups were replaced with Gibson’s new humbucking pickups.
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MORE →The Gibson ES-175D was the most common variant of this workhorse archtop, and first appeared in 1953. The D indicated Double Pickups, and the original single pickup version was made in smaller numbers until 1971. The ES-175 was produced from 1949 until 2017, and appeared on countless stages and recordings. Based on a single cutaway, 16.25 inch wide but full depth arched-top F hole body, the ES-175 uses Maple laminates for the body, which improves feedback rejection.
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