Based on Eric Clapton’s guitar of choice for his iconic MTV Unplugged performance, the Martin 000-28EC pairs Sitka Spruce with East Indian Rosewood for a well-balanced tone.
The Alhambra 7P CW Cutaway Classical is Alhambra’s 7P advanced Student Model fitted with with a cutaway and Fishman Prefix Premium Blender system. This model’s full name is officially 7 P CW E (x), where the (x) is a number representing exactly which Fishman pickup system is installed. Currently, the numbers for pickup systems have been 2, 3 and 5. This is a level 7 guitar, with Rosewood back and sides – represented by the P for the Spanish word for Rosewood, Palisandro.
Introduced in 1938, the Gibson SJ-200 was the top of the line, ‘King of the Flat Tops’, the largest and fanciest non-archtop model. In 1938, the price was a whopping $200, and as an option, you could have your name inlaid on the fingerboard for $50! It went straight to stages and studios, and has been there since. The SJ-200 has appeared on countless recordings, not just Country – both Pete Townsend and Jimmy Page relied on it.
Overall, this C.F. Martin 000-28 Steel String guitar is in very nice condition, with minor wear. The finish doesn’t have any significant scratches, just very light scuffing that would polish well. Fret wear is light to moderate, and there’s plenty of material for a light fret dress to make them look new. The guitar has been played, but well cared for. This body style is tonally much more even than the big D body Dreadnoughts, which tend to be weighted towards bass.
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I came to Twelfth Fret with an all original 1967 Gretsch Chet Atkins Tennessean which I had purchased online. The guitar was barely playable, would not tune and was just a very expensive disappointment. After a consultation with Scott, he came up with a plan to see if this guitar could be brought back to life. After great communication, Scott put his skillful hand to work and gave me back one of the greatest guitars I have ever played!
I went from totally disappointed with this guitar, to it being one of my favorites. I don’t know how Scott did it, but unbelievable. Great communication throughout the process, incredibly skillful work, and most of all just a real desire on Scott’s behalf to bring this thing back to life as best he could. I went from having totally given up, to very boastful to own this guitar. Completely blown away.
Absolutely no hesitation bringing any future projections to Scott and the rest of the staff. Thank you so much!
