Next up is a VR Custom Six String Fretless Bass by Vadim Rubtsov, one of the first he built in Canada and of African Padouk and Wenge with a Camatillo fingerboard.
This Hartel Boucher banjo dates to 2008 and is in very good condition. It features a solid Maple neck with the distinctive Boucher headstock, and what look just like Ebony friction pegs but are in fact excellent PegHed geared tuners. The 12 inch pot has six cast brass Boucher style brackets, and an Ebony tailpiece. This is a fretless instrument, so the precise scale length varies with bridge placement.
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The Hartel Levi Brown fretless 5-string banjo is an high quality reproduction of instruments built around 1858 by Levi Brown who built banjos in Baltimore, Maryland. This excellent instrument features a 13 inch pot with brass hardware and a long – 28 inch! – scale Black Walnut neck. The neck has a slotted peghead and Waverly tuners – an improvement over the original, which would have had wooden friction pegs.
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Only available as a special order during the 1960s and based closely on the base 4001 model, the Rickenbacker 4001FL was offered from 1968 until the 4001 was discontinued in 1989. The key differences between the 4001 and the Rickenbacker 4001FL are in the fingerboard and binding. Naturally, the bound Padouk fingerboard is fretless, but is not a modified fretted board. Some builders will use a fretted board, filling the slots with veneer, giving visible markings an an aid to intonation.
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This F Bass Fretless bass uses three woods – Flamed Maple for the neck, Poplar for the wings, and African Blackwood for the fingerboard. It uses a neck-through construction. For hardware, Schaller tuners are at the head, and a Leo Quan Badass bridge with a riser. Electronics are passive and consist of a Aguilar AG4J-HC pickup in the bridge position, paired with a Hi-A (High-Asymmetry) pickup in the neck position. This bass originally shipped with a Seymour Duncan Jazz pickup in the bridge position.
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Here we have a Rob Allen MB2 Fretless Bass, built with a Walnut topped Mahogany body during 2010 at Allen’s shop in Fillmore, California. Rob Allen designs and builds to his own preferences combining acoustic and electric tonalities. The Allen MB-2 bodies are semi-hollow, and use acoustic style bridges rather than massive metal units. The bridge itself is Rosewood, with a Bone saddle and a built-in Fishman transducer – there is also a volume control on the bridge itself.
This instrument has sold
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