The Rickenbacker 360 thinline is an iconic instrument originally designed by Roger Rossmeisl in 1958 as a flat-topped, thin hollow body model with top and back binding. Halfway through 1964, the Rickenbacker 360 gained a New Style body to further differentiate the 360 from the 330.
Hollow Body
The Airline H78 Thinline was built for the Montgomery-Ward company by Harmony from 1965 to 1972, as a re-branded version of the Harmony H78. Indeed, it seems that the only difference is the head plate and logo!
Harmony, purchased by Sears-Roebuck in 1916 and owned by them until 1940, was at one point by volume the largest guitar maker in the USA, which also meant in the world.
The Guild X-500 archtop electric was a single-cutaway, fully hollow 17 inch wide archtop electric model built from 1953 to 1995, and again for a year or two until being discontinued in 2015. This example dates to 1979 and comes from the Westerly, Rhode Island plant. The Guild X-500 archtop is intended as an electric model, and Guild followed the proven pattern of using laminate woods for the body to reduce feedback.
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MORE →Here’s a beautiful piece of functional art – from 1960, a Guild X-500 Archtop electric in original condition and very playable! The Guild Guitar company was formed in New York 1951 by jazz guitarist and musical retailer Alfred Dronge and George Mann, ex-Epiphone executive. Most of the staff were also ex-Epiphone employees who did not follow the company from New York to Philadelphia, a move sparked by a four-month strike.
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MORE →The Eastman company builds more arched top instruments than anyone else, and they apply their expertise to thinline archtop electrics like the Eastman T186MX. This model seems largely based on classic thinline hollowbodies like the Casino and ES-330. Featuring solid wood construction, the Eastman T186MX has a solid, carved flame Maple top, solid Mahogany sides and solid mahogany carved back with a support block under the bridge and tailpiece.
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MORE →The Gibson ES-175D Double Pickup Cutaway Archtop was one of the most popular instruments for the working jazz guitarist, from its introduction in 1953 until its recent discontinuation. The 175 was built of Maple laminates, to reduce both feedback and prices. Joe Pass, Kenny Burrell, Joe Diorio, Toots Thielmans, Wes Montgomery, Pat Martino, Herb Ellis, Howard Roberts, Jimmy Raney, Pat Metheny – all at one time in their careers played and recorded with the venerable Gibson ES-175D.
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