The grand auditorium body used on the Eastman PCH3 GACE is comfortable and versatile, and takes cues from another very popular brand; until recently, many guitars were based on classic Martin and Gibson designs. It performs well for both fingerstyle and strumming and the solid Sitka spruce top has good dynamics and clarity.
Indian Rosewood
The Taylor 512ce is a dream guitar for the fingerstyle player. The small grand concert body shape provides a very compact and comfortable playing experience and requires less energy to get the top moving. This allows players with a light touch to get a full sound from a smaller body. The Western Red Cedar top of the Taylor 512ce has lovely touch sensitivity and a warm midrange. Red Cedar is used extensively on higher end classical guitars, as its voice develops faster than Spruce and is very responsive.
This instrument has sold
MORE →William Laskin is very well known for the creativity and quality of his inlay work. Here, a stag or buck – a male deer with antlers is depicted between frets 11 and 18, in a mixture of engraved woods and, it appears, ivory for the antlers. This guitar is old enough that small amounts of ivory were still used, and here appears in the nut, saddle, sliding nut components, and the inlaid antlers.
This instrument has sold
MORE →Here is a very nice Gibson SJ 200 Standard – the SJ standing for Super Jumbo – in Vintage Sunburst and built during 2015 in Bozeman, Montana. The name has varied over time, starting as the SJ-200 from 1938 to 1954, then abbreviated to J-200 until 1999 when it became the SJ-200 again. This model has been a favourite with a wide range of guitarists, from Gene Autry to Jimmy Page, Pete Townsend to Tex Ritter.
This instrument has sold
MORE →The Fender Telecaster Rosewood Fingerboard models appeared in September of 1959 as Fender introduced this wood to attract Gibson players. This was originally a flat-bottomed ‘Slab’ fingerboard glued to the flat top of the Maple neck, and the truss rod mounted from a channel underneath the fingerboard. In July 1962, Fender introduced new production processes to bond a thin layer of Rosewood to the curved top of a Maple neck blank, and this process is still used today.
This instrument has sold
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