Let’s start the week off with a treat – a brand new GW Barry OM Koa steel string, with a Bearclaw Sitka Spruce top and a fantastic tone.
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MORE →Here we have a Jean Larrivee classical guitar with Cedar top and Indian Rosewood back and sides, built during 1975 at the Toronto shop. At this time, Larrivee and others were working with the late Edgar Monch, who was still in Toronto and the influences are visible on this Hauser style guitar. Jean Larrivee has been one of the more influential Canadian guitar builders. Building his first instruments in his home in Toronto during the late 1960’s, Larrivee worked with and learned from Monch. As his interest, skill and collection of tools and wood increased, he moved to ever-larger quarters and attracted his own trainees.
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MORE →The Gibson SG Junior was built from 1963 to 1971, again from 1991 to 1994, and is back in the catalog. This model is the descendant of the 1954 Les Paul Junior. Designed to be an entry level yet high quality instrument, the Junior line featured a full scale length, Mahogany slab body, Mahogany neck, unbound Rosewood fingerboard, a single ‘dogear’ P-90 pickup with volume and tone controls. Kluson Deluxe strip tuners were installed, with a stop-bar style wraparound bridge at the body end.
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MORE →Here we’re treated to a Bourgeois Vintage D, dating to May 19 2015 and featuring an Adirondack Spruce top paired with Indian Rosewood for the sides and back. The neck is Mahogany, with a Ziricote head plate, and Ebony is used for the bridge and bound fingerboard. Mother of Pearl is used for the Bourgeois headstock inlay and the snowflake position marker sets. The top is enclosed in an old-style Herringbone inlay, and the back has a ‘Zipper’ center strip. Open gear, nickel plated Waverly tuners – made in Bozeman, Montana, not far from the Gibson Acoustic shop – are at the head.
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MORE →This Marc Beneteau OM was built during 2011 at the Beneteau Guitars shop in St. Thomas, Ontario. Marc has been building since 1974, originally in Ottawa. He is largely self taught, though he’s taken inspiration from Jean Larrivee’s work. Many prominent Canadian builders worked directly for or with Larrivee, but Marc did not, instead taking cues from Larrivee’s influences from classical guitar building, which produces a result quite different from the Martin – Gibson building styles.
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MORE →The Martin OM or Orchestra Model design appeared in 1930, and has been built in various forms. The C. F. Martin OM-21 uses ’21’ level appointments – Indian Rosewood back and sides, single layer binding, and Ebony for the bridge and bound fingerboard. The OM design fits between the full size ‘D’ body dreadnoughts, and the smaller, rounder single or double ‘O’ b body guitars.
This instrument has sold
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