Here we’re looking at a Gibson Style A ‘Snakehead’ Black-top mandolin in A-1 trim from 1927 in overall good and largely original condition. The ‘Snakehead’ term refers to the tapered headstock, an innovation by Lloyd Loar that reduced string friction at the nut. ‘Snakehead’ models were built from 1923 to 1927.
Lloyd Loar
Eastman MD515 mandolins are a high quality yet reasonably priced rendering of the classic Gibson F-style instruments introduced in the 1920s during Lloyd Loar’s tenure at Gibson. One of Orville Gibson’s radical innovations was to bring violin family construction principles into the world of guitars and mandolins, leading directly to the arched top instruments that are commonplace today. The Eastman MD515 models are part of Eastman’s entry level instrument lines, but that doesn’t mean that they have skimped on quality, just on decoration.
This instrument has sold
MORE →Here’s a lovely older instrument, built around 1924 – The Gibson TB4 Snakehead, trap door tenor banjo, with Maple for the neck, rim and folding ‘trap door’ resonator. This fine instrument has its original parts, though the case is long gone, and was built at the end of the Lloyd Loar era (1911 to end of 1924), which produced many historic innovations. The Gibson TB4 was part of the TB or Tenor Banjo series introduced in 1921 as Gibson attempted to stabilize its place in the banjo market.
This instrument has sold
MORE →The Eastman MDC805 Mandocello is a wonderful, rich sounding instrument that works well as a solo, ensemble or accompaniment instrument in a wide range of styles and genres, from Celtic to Classical, Latin and back again. The Mandocello had been in existence for some centuries in Europe, beginning with flat back and then bowl back. However, in 1905 Orville Gibson’s company began producing mandolin family instruments, including Mandocello models that drew from his blending of violin and guitar concepts.
The Eastman MD515 mandolin is a high quality yet reasonably priced rendering on the classic Gibson F-style instruments introduced in the 1920s during Lloyd Loar’s tenure at Gibson. One of Orville Gibson’s radical innovations was to bring violin family construction principles into the world of guitars and mandolins, leading directly to the arched top instruments we find commonplace today.
This instrument has sold
MORE →Here we’re looking at a Gibson A Junior model mandolin in Sheraton brown – basically the only colour available for this model. It’s built like other A-Style mandolins, the key differences being wood quality and low decoration level. The arched, carved top features an oval soundhole and is Adirondack Spruce, while the arched, carved back is Maple, as are the sides and neck.
This instrument has sold
MORE →