The Gibson Les Paul Junior DC – Double Cutaway – appeared in 1958 as a modification of the 1954 single-cutaway version. The next modification came partway through 1961 with a complete redesign of the body as Gibson shifted to what’s now known as the SG.
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The Epiphone Texan FT79N – the N indicating a Natural finish on the top rather than Sunburst – was built as a slope shoulder dreadnought from 1958 to 1970 when Epiphone production ceased in the USA. The Epiphone FT79 was originally built from 1941 to 1958 as a square shoulder dreadnought with Walnut back and sides until 1949, and then with laminated Maple until the company was sold to Gibson in 1958.
Since its appearance in 1954, the Gibson Les Paul Custom has become a standard for class, elegance, playability and tone. Originally released in ‘Tuxedo’ dress – gloss black finish, white multi-layer binding and gold hardware – the Custom has over the years received sunburst, natural and other custom finishes.
With its roots dating back to 1922, this custom ordered 1964 Gibson L-5 Stereo is formally known as the L-5 CES (Cutaway Electric Spanish), though the label identifies it only as an L-5. This model was aimed at professional, working guitarists, and until 1934 was built with a 16 inch wide body. In 1934, the body grew to a 17 inch width and gained X braces.
Over the years, the Gibson Les Paul Standard has gained and iconic position in the guitar pantheon, though it has been in and out of favour as time passed. Built during 1976, about halfway through Norlin’s ownership, this Gibson Les Paul Standard sports a classic tobacco sunburst finish.
The Gibson Super 400 strode above most others when giant archtops roamed the earth, and is still one of the largest production guitars made. Making its introduction in 1934 as the ‘Super L-5 Deluxe’, the non-cutaway model was quickly joined by a cutaway model, initially named the Super 400 P for ‘Premiere’. The ‘400’ designation was originally a reference to the price.