The Eastman E10 OOSSV has a big sound for a small body and super cool vintage vibe with its antique varnish finish. This body shape is very compact and comfortable with its curvy waist and 14 ¾” lower bout. It sits tight to the body when in a seated position and your strumming arm remains at a very comfortable angle which will allow you to enjoy this guitar for hours of play time. Tonal production on the Eastman E10 OOSSV is provided by the lovely wood pairing of Adirondack spruce and mahogany along with the hand carved scalloped x braces on the top. Adirondack spruce has loads of clarity and a high ceiling of volume.
Nitrocellulose
Though unequivocally drawn from the classic Les Paul design and in particular the most desirable 1959 models, the Eastman SB59V is not a slavish copy. Many visual differences are clear, including the shapes of the headstock and cutaway. The body is constructed of a carved, Flame maple top laminated to a one-piece Mahogany slab body. A Mahogany neck with a bound Ebony fingerboard is attached via a longish tenon joint. The neck has a vintage style ‘V’ profile.
This Fender Stratocaster 57 Vintage model built during 2003 is one of several lines of vintage reproductions, bringing back the features and aesthetics of classic models. This Fender Stratocaster 57 Vintage is in overall good, but not entirely original, condition. With a light ash body and one-piece V profile Maple neck and finished in a thin, fifties-style two tone tobacco sunburst lacquer, and with single layer pickguard, this example hews closely to the 57 specs.
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MORE →The Eastman E10 OM is a smaller orchestra sized body guitar which features a classic wood pairing of Adirondack spruce on the top and mahogany sides and back. Adirondack spruce has a high ceiling for volume and tone production which means you can dig in with your picking hand and really drive the top!
The Eastman E6 OM is a warm and balanced sounding guitar with straightforward classic appointments. The OM or orchestra sized body is a smaller shape dating to the early 1930s with a curvy waist and more compact lower bout. This results in a very comfortable playing experience particularly in a seated position. The smaller body also requires less energy to get the top moving and responds really well to a lighter touch. Fingerstyle playing and light to medium strumming really bring out the voice of this instrument.