Here we have a William Laskin Cedar Top classical guitar, built during 1992 and featuring the Laskin Arm Rest, 655mm scale length and very nice Indian Rosewood sides and back.
Built in the traditional Spanish style with a slipper heel integrating the body and neck, this William Laskin Cedar Top classical is in good condition.
Slipper Heel
Here is a rarity – a Patt Lister Classical Guitar built in Collingwood, Ontario during 1970 and featuring a lattice braced back and concentric fan braced top. Here is a rarity – a Patt Lister Classical Guitar built in Collingwood, Ontario during 1970 and featuring a lattice braced back and concentric fan braced top. This Patt Lister Classical guitar uses a Red Cedar top paired with Maple for the sides and back, with Spanish Cedar for the neck and Spruce for the tall top and back bracing. The fingerboard is Ebony, while both the bridge and head plate are Indian Rosewood.
This instrument has sold
MORE →Here we have a Hans Schmidt Classical Guitar, built in Rock Creek BC during the 1980s and featuring a lovely Brazilian Rosewood set for the sides, back and head plate. While there isn’t a lot of information available, Hans Schmidt apparently built classical guitars and Celtic Harps during the 1980s and 1990s in his workshops in the southern central area of British Columbia, at the lower end of the Okanagan Valley, not far from the Canadian border. This is a spectacular area!
This instrument has sold
MORE →Here we have a rarity – a James Frieson Flamenco guitar, built while Frieson was working in his native Canada. He currently builds spectacular guitars in Hokkaido, Japan, and is one of, if not the only Western builder in that area. Frieson began building in 1972 and soon met South American luthier Olivo Espin, and worked with him for five years, developing his skill and knowledge.
This instrument has sold
MORE →Here we have a Conde Hermanos classical guitar built during 1992, with a Spruce top and Indian Rosewood for the back, sides, headplate and bridge. The guitar is constructed in the typical Spanish style, with the ‘slipper heel’ integrating the neck, sides and back. The neck is Spanish Cedar with an Ebony fingerboard. Schaller tuners with gold finish and faux pearl buttons are installed at the head and work well.
This instrument has sold
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