For the long weekend, here’s an interesting Breedlove Cascade Mandolin from 2008, sporting an arm rest and a Tone-Gard! Not only is it in great shape, but staff feel it’s one of the best mandolins in the shop at present.
The Taylor 812ce 12 Fret Cutaway Steel String is a very good sounding guitar and demonstrates the added projection and sustain from the new V-Class bracing pattern. Starting from the Grand Concert design, a soft Venetian cutaway is added, and the body is built using a Sitka Spruce top paired with traditional Indian Rosewood for the back and sides. The 12-fret neck is Mahogany, with Ebony used for the headplate, bridge, and bound fingerboard.
Built from 1964 to 1970, the Epiphone Howard Roberts Standard takes cues from very early Gibson archtops – specifically, the oval sound hole on an arched Spruce top. Apparently, 290 of these guitars were made, from introduction until Epiphone construction was moved out of Kalamazoo and sent overseas.At his peak, Howard Roberts was at the top of the session world, for a time doing nine hundred sessions a year.There were two versions of the Epiphone Howard Roberts – the Custom and Standard.
Based on the classic Orchestra Model, the Collings OM2H ECW adds to the stock rosewood bodied, herringbone bound OM2H, with an Engelmann Spruce top and a cutaway.The Orchestra Model is closely related to the OOO , with the primary differences being in the scale length; the OOO is typically 24.9 inches while the OM is 25.5.This OM2H was a custom order, and the original build sheet shows that the purchaser specified an Engelmann Spruce top, on a cutaway Indian Rosewood body.
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I came to Twelfth Fret with an all original 1967 Gretsch Chet Atkins Tennessean which I had purchased online. The guitar was barely playable, would not tune and was just a very expensive disappointment. After a consultation with Scott, he came up with a plan to see if this guitar could be brought back to life. After great communication, Scott put his skillful hand to work and gave me back one of the greatest guitars I have ever played!
I went from totally disappointed with this guitar, to it being one of my favorites. I don’t know how Scott did it, but unbelievable. Great communication throughout the process, incredibly skillful work, and most of all just a real desire on Scott’s behalf to bring this thing back to life as best he could. I went from having totally given up, to very boastful to own this guitar. Completely blown away.
Absolutely no hesitation bringing any future projections to Scott and the rest of the staff. Thank you so much!
