The Gibson J-200 Artist was produced in Kalamazoo, Michigan during the latter part of the 1970’s into the early 1980’s. Essentially a continuation of the ‘standard’ level SJ-200 introduced in 1938, this variant carried a number of Norlin-era characteristics such as a headstock volute and a less elaborate bridge.
Steel String
Introduced in 1965, and no longer in production, the Martin D12-35 12-fret was the 12-string version of the classic Martin D35, visually notable for its three section Rosewood back. This Martin D12-35 example dates to 1975 and pairs a Sitka Spruce top with Indian Rosewood for the sides, three-piece back, bridge plate, and thin headstock veneer.
Here we have a Collings OM1 Custom, based on a stock OM1 but with a half inch deeper body providing more bass and fuller sound, filling out an already great tone, and a slightly wider fingerboard. This Collings OM1 Custom guitar was built for The Twelfth Fret, with a 4.5 inch body depth and a 12.75 inch nut width being the only differences from the stock OM1.
Here we have a William Laskin Cedar Top classical guitar, built during 1992 and featuring the Laskin Arm Rest, 655mm scale length and very nice Indian Rosewood sides and back.
Built in the traditional Spanish style with a slipper heel integrating the body and neck, this William Laskin Cedar Top classical is in good condition.
Here we’re looking at a just-post WW2, Gibson SJ Slope Shouldered Dreadnought Sunburst, 1946 built in Kalamazoo, Michigan. Introduced in 1942, the Gibson SJ has stayed in production to the present day though sometimes with name changes, including the ‘Country Western’ name.
In the 1960’s, 12-strings like the Gibson B25-12 were very popular, and the 12 was found on many recordings, in Canada especially Gordon Lightfoot’s. Here we’re looking at a Gibson B25-12 from 1965, with some very practical modifications that make it a practical, gigging 12 string with a great vintage sound.