Here is the new Fender American Ultra Stratocaster Maple Neck dressed in the stunning new Cobra Blue finish, with new body contours, stock noiseless pickups, biflex truss rod and a compound radius fingerboard!
The Twelfth Fret
This is exciting – the second of eleven new models we have from Fender, the new Fender American Ultra Stratocaster HSS Rosewood – dressed in the new UltraBurst finish. This instrument features new body contours, stock noiseless pickups, biflex truss rod and a compound radius fingerboard!
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MORE →The Fender American Ultra Stratocaster HSS in a blazing Plasma Red Burst. Featuring new body contours, stock noiseless pickups, biflex truss rod and a compound radius fingerboard! *No longer available.
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MORE →Here’s an unusual piece to see available – a Stefan Sobell Parlour Brazilian Rosewood guitar, built at Sobell’s Old School shop in Northumberland, UK during January of 2005. Stefan Sobell has built instruments since 1973, his interest sparked by his wife’s Appalachian Dulcimer; he built an instrument to replace his own Portuguese Guitarra, though when completed it was actually a Cittern. That instrument was used in many folk clubs and resulted in orders for more, and turned into a full time occupation. Sobell now builds to order, about ten instruments per year.
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MORE →Built from 1981 to 1985, the Hamer Prototype was unique for its time and introduced a number of concepts that are now commonplace on production guitars, and not just on custom builds. Paul Hamer and Jol Dantzig opened Hamer Guitars in Willamette, Illinois in 1973 and began building custom designs based on Explorer and Flying V body shapes, with wild finishes and unusual hardware combinations.
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MORE →The Fender Jaguar appeared in 1962, and while it was based on concepts and parts used on the Jazzmaster, there were a number of design departures. Like the Jazzmaster, the Fender Jaguar used an offset-waist body with comfort contours, and shared the same bridge and vibrato tailpiece design. And, the Jaguar sported the same Rosewood fingerboard, which by this time was a curved veneer rather than a ‘slab’ with a flat bottom.
This instrument has sold
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