The Ibanez AZ220A shares many features from the rest of the AZ line, but with two main differences. Most of the AZ line features an alder body but the AZ2202A has an ash body. Ash is a slightly heavier weight wood with a great balance of brightness and warmth and was used on many of the revered Fender guitars from the 1950’s to today. The other main difference on the Ibanez AZ2202A model is that the roasted maple neck has 22 frets rather then 24.
Www.12fret.com
Here is a very nice Gibson SJ 200 Standard – the SJ standing for Super Jumbo – in Vintage Sunburst and built during 2015 in Bozeman, Montana. The name has varied over time, starting as the SJ-200 from 1938 to 1954, then abbreviated to J-200 until 1999 when it became the SJ-200 again. This model has been a favourite with a wide range of guitarists, from Gene Autry to Jimmy Page, Pete Townsend to Tex Ritter.
This instrument has sold
MORE →The Eastman T486B Thinline is an excellent take on the classic semi-hollow design introduced by Ted McCarty, president of Gibson, with the 1958 ES-335. Like most other versions of this design, the Eastman T486B uses pressed Maple Laminate for the top, back and sides, with a Maple block running down the center of the body. The top has a pair of F holes, and here they are bound. On the Eastman, the neck is Maple with a bound Ebony fingerboard sporting Split Block Parallelogram inlays (similar to an ES-345).
This instrument has sold
MORE →The Martin D28 Marquis, here with Adirondack Spruce top, was the top shelf of the Style 28 Dreadnought line, re-creating historic designs with premium materials. The Marquis and Golden Era models went out of production in 2017, and were replaced with the Authentic series. Here we’re looking at a Martin D28 Marquis, built during 2014 at the Martin plant in Nazareth, Pennsylvania.
This instrument has sold
MORE →The Collings MT A Style mandolin is the entry point for Collings mandolins, and its lack of decoration doesn’t hide the quality of the instrument or the care with which it was built. The A Style mandolin appeared in the closing days of the 19th century as part of Orville Gibson’s revolutionary introduction of violin making principles to mandolin construction. The results were such a dramatic improvement that the centuries old European bowl-back design almost died out in short order.
This instrument has sold
MORE →