Next up is a VR Custom Six String Fretless Bass by Vadim Rubtsov, one of the first he built in Canada and of African Padouk and Wenge with a Camatillo fingerboard.
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The Michael Messer Blues 28 hews closely to the original 1928 specifications and has the classic wood-bodied resonator guitar sound and feel. This model is built with a 1928-style Mahogany laminate body with F-holes and Mahogany neck, 12 frets to the body, with a spun Aluminum cone and Maple biscuit bridge. The National String Instrument Corporation invented and introduced the first Resophonic guitars in 1927, using a tri-cone, metal body design worked out by John Dopyera and George Beauchamp.
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The Nechville Zeus Banjo is near top of the line for Nechville banjos, indicated by its use of the name of the Ruler of the (Greek) Gods. A Curly Maple version of the Walnut Nechville Saturn banjo, these excellent banjos are fairly uncommon. Like the Saturn, the Nechville Zeus banjo features a 3-Ply Maple Rim that is steam bent, then spun by hand, and the Timber-Tronic Tone Ring that is considerably lighter than a bronze ring.
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With a design dating back to 1917, the Martin D-18 Dreadnought has been one of the bases of the Martin line since its official launch in 1931. The Martin D-18 Dreadnought shares a number of core design elements with all other Martin Dreadnoughts, a large body with Mahogany neck. What changes from model to model is the wood selection and appointments.
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The National ResoLectric Jr. was produced for only a short time starting in 2001, and in two major versions.
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The Larrivee L30 Classical Guitar Natural, now discontinued, is a straightforward Spruce and Rosewood classical guitar showing Jean Larrivee’s background in this genre. When learning guitar building, Larrivee spent a good amount of time with Edgar Monch during Monch’s time in Toronto, and learned much about guitar construction from him.
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