This Martin Custom Shop D-28, built during 2014, is a beautiful instrument with a number of subtle differences from stock models.
Ebony
Seen here is a new Sergei de Jonge Classical Guitar with an elevated fingerboard, pairing a Cedar top with Black Limba for the sides, back and neck. The bracing is Spruce, the body blocks and linings are Mahogany. The bridge is Indian Rosewood and the fingerboard is Ebony. As is the case for most of de Jonge’s guitars, the finish is a hand-applied French Polish.
Seen here is a beautifully figured Flame Maple (blonde) Guild Starfire VI built near Newark, New Jersey around October of 1974. it is in overall rather good condition with a natural wear spot to the back finish, where the body would rest against the player’s belt. The hardware is gold plated, with Guild-branded Schaller tuners at the head (Grover Roto-Matics had been more commonly used), and Guild’s spacing-adjustable roller bridge.
Built from 2007 to 2012, the Taylor GA3 served as an entry point to the Grand Auditorium line, pairing a Sitka Spruce for the top and braces, with Sapele for the sides and back.
Here’s a fantastic piece from early 1959, a Gretsch 6128 Duo Jet in Black Top finish. Just after this guitar was built, Gretsch altered the design to add a zero fret to the fingerboard. This is a great looking, playing and sounding guitar. It is one of the lightest electrics available at just over seven pounds (3.2kg), it plays well, and these Filter ‘Tron pickups are very good sounding. Introduced in 1954 just after the solid body, Pine capped 6130 Roundup, the chambered Duo Jet was aimed directly at Gibson’s Les Paul model, with a similar shape but very different yet hidden construction differences.
Here we’re looking at a Gibson Style A ‘Snakehead’ Black-top mandolin in A-1 trim from 1927 in overall good and largely original condition. The ‘Snakehead’ term refers to the tapered headstock, an innovation by Lloyd Loar that reduced string friction at the nut. ‘Snakehead’ models were built from 1923 to 1927.