Here is a great condition Fender 68 Custom Vibrolux Reverb, delivering 35 watts through a pair of 10 inch Celestion Ten 30 speakers.
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The Fender Princeton Reverb Blackface was a successor to one of Leo Fender’s first amps, the 5-watt, 1×8 speaker 1946 Princeton aimed at students. Over the years that model evolved into a the 15-watt, 1×10 speaker combo with Reverb and Tremolo. And over those years, it was adopted as a key tool for session players due to its great sound, relatively low power, light weight and portability.
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The Sonny Jr Harmonica Amp is the result of work by harmonica player Gary Onofrio in replicating the sounds achieved by classic harp players like Sonny Terry and James Cotton.
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Next up is one of my favourite amps, the Fender 68 Custom Vibrolux Reverb. In regular production since 2014, this amp delivers 35 watts through 2×10 inch speakers and is loud enough for many venues.
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Here we’re looking at a Tone King Imperial sporting Turquoise / White dress and in great condition. This amp was hand built in Mark Bartel’s Tone King shop in Baltimore, MA. In 2010, Premiere Builder’s Guild had just purchased Tone King, which they held till they closed in 2016, ending Bartel’s association with the brand. Tone King is now part of Boutique Amps Distribution, and from 2017 Mark Bartel builds amps under his own name.
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Until the early 1960s, Reverb as an effect was very uncommon on amplfiers. The Fender Reverb unit was introduced in 1961 to provide standalone reverb. Fender began to introduce Reverb on amplifiers in 1963, on the VibroVerb combo. Soon it seemed that all Fender amps had to have it!
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