The Fender Vibrolux Reverb appeared in 1963 as part of Fender’s revamp of its amplifier lineup, with nearly all models getting Reverb and Tremolo circuits if they didn’t already have them.
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MORE →The Fender Vibrolux Reverb appeared in 1963 as part of Fender’s revamp of its amplifier lineup, with nearly all models getting Reverb and Tremolo circuits if they didn’t already have them.
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MORE →A few amps, like the Fender Twin Reverb, have become standard pieces of gear because they are reliable, predictable, and just do the job very well. You can see Twin Reverbs on stages of almost any player at any level, where clear, clean tone has to fill a largish space.
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MORE →The Henriksen JazzAmp is now discontiued. The 312 seen here with a 12 inch speaker, and the 310 with a 10. Both deliver 120 watts.
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MORE →Today we’re looking at a Victoria 20112-T Tweed tube amplifier, based on the classic narrow panel 5E3 Deluxe amp built between 1955 and 1960. These amps are ideal for blues-based styles in small to medium venues or feeding a microphone in a studio setting.
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MORE →The Mesa Boogie Dual Rectifier Roadster 2×12 Combo Amplifier is an extremely versatile amp – 4 channels with individual controls and 50 or 100 watts each.
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MORE →The Mesa Express line is one of the most affordable, versatile amps available from Mesa Engineering, delivering switchable channels and power levels.
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