The Fender Princeton Reverb Blackface was a successor to one of Leo Fender’s first amps, the 5-watt, 1×8 speaker 1946 Princeton aimed at students. Over the years that model evolved into a the 15-watt, 1×10 speaker combo with Reverb and Tremolo. And over those years, it was adopted as a key tool for session players due to its great sound, relatively low power, light weight and portability.
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THe Fender 59 Bassman LTD recreates one of the seminal guitar amplifiers, popular with both bass players and guitarists and the basis for many other designs, including the Marshall JTM45.
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Here we have a ‘HB Proto’ version of The PRS 25th Anniversary Amplifier, a scalable 50 watt tube amp with 4×10 cabinet and dressed in matching paisley! This is a rare amp, built during 2010 and designed by Paul Reed Smith and Doug Sewell. Doug Sewell was by career an architect but his passion is to build amplifiers. The PRS 25th Anniversary Amplifier delivers a smooth, creamy tone and is based on the late 1960s ‘Plexi’ design. This example is apparently from the late prototype stage and is signed and numbered as 57 of 100 amps built. It uses a pair of EL34 tubes and delivers sound through four Celestion G10 Greenback speakers.
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Here’s a Morris Mini Muscle 20, built by Glen Morris of Morris Amplification in 2005 as a single channel, 14 watt amp, and rebuilt by Morris in 2018 to provide a second channel and 20 watts. Morris Amplification is based in Welland, Ontario and specializes in custom amp construction and repairs. Their client list includes producer Jack Douglas, John Angus and Jack Syperek of the Trews, James Black of Finger Eleven, Dallas Green of Alexis on Fire, and many more.
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The Genz Benz Streamliner 900 bass amp was introduced in 2011 and built until the brand, founded in 1984, was discontinued in late 2013.
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New Marshall Silver Jubilee Studio line includes the compact combo Model 2525c – and H for the head model – switchable from 5 to 20 watts, with an Effects Loop and DI output!
Marshall amplifiers have been built in the UK since the late 1950s. Like a number of other successful builders, Jim Marshall started building amps out of necessity; import duties on American amps like Fenders were so high that it made sense to use English familiarity with tube technology to build locally.
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