Here is a great condition Fender 68 Custom Vibrolux Reverb, delivering 35 watts through a pair of 10 inch Celestion Ten 30 speakers.
Tremolo
Here is a Harmony H305A amplifier. This is a single-ended design based on the Fender 5E3 circuit as used on the classic 1950’s Tweed Fender Deluxe amp. With a pair of 6V6 power tubes, about 15 watts would be delivered to a single 12 inch speaker.
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MORE →Next up is one of my favourite amps, the Fender 68 Custom Vibrolux Reverb. In regular production since 2014, this amp delivers 35 watts through 2×10 inch speakers and is loud enough for many venues.
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MORE →Here we’re looking at a Tone King Imperial sporting Turquoise / White dress and in great condition. This amp was hand built in Mark Bartel’s Tone King shop in Baltimore, MA. In 2010, Premiere Builder’s Guild had just purchased Tone King, which they held till they closed in 2016, ending Bartel’s association with the brand. Tone King is now part of Boutique Amps Distribution, and from 2017 Mark Bartel builds amps under his own name.
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MORE →Introduced in 1952 and built until 1954, the Gibson GA40 Les Paul Version 1 amplifier was designed and built in-house at the Kalamazoo plant. It had two channels, with three ‘Instrument’ inputs on one channel and one ‘Microphone’ input on the other, and delivered 14 watts through a single Jensen P12Q 12 inch speaker.
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MORE →The Marshall ‘Bluesbreaker’ model was one of the defining amps of the 1960s, though it was rapidly eclipsed by much higher powered and ever-louder models. The real, original name was the Marshall model 1961, a 30 watt amp with 4×10 inch speakers built for Eric Clapton. That was quickly replaced with a 2×12 version, the model 1962. The 1962 was what Clapton used while in John Mayall’s Bluesbreakers, and that gave the amp its nickname.
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