The Boucher Studio Goose SG-41 uses the OM Hybrid, or Orchestra Model body shape modified to work better with fingerstyle playing. The very white, locally harvested Adirondack Red Spruce top is paired with Brazilian Mahogany to provide clear, crisp tone and immediate response.
The Boucher Studio Goose SG-21 uses the OM Hybrid, or Orchestra Model body shape modified to work better with fingerstyle playing. The very white, locally harvested Adirondack Red Spruce top is paired with African Bubinga to provide clear, crisp tone and immediate response. The neck is Mahogany, and Ebony is used for the headplate, fingerboard and bridge.
The Boucher Heritage Goose HG-26 is based on the traditional 12 fret, 000 body design, with a slotted peghead to increase string downbearing at the nut without increasing head pitch. This helps add clarity, separation and sustain to open string notes. Here, Boucher has paired the Adirondack Red Spruce with African Bubinga. The neck is Mahogany with Ebony used for the headplate, bridge, and fingerboard.
The Martin O-16 NY appeared with the American Folk Boom, and references very early Martin guitars made before 1898 in New York, before the move to Nazareth, PA. The O body size is 13.5 inches wide, and the 12-fret neck has a slotted peg head. As a ’16’, binding only appears on the top.
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This very nice example of the Gibson L-00 Steel String Guitar dates to 1936 and is in good working order. It was recently set up in our shop and thoroughly inspected. All the braces are intact and tightly glued in place. At some point in its life, it’s had a neck reset, and possibly at that time the sides, back and heel were oversprayed with a clear lacquer. This would have been done partly because Gibson’s production method installs the neck to the body before finishing, so a removing the neck to reset the dovetail causes finish damage.
First appearing in 1926, the Gibson L-0 uses a curvaceous, smaller 13.4 inch wide body. Initially made with Spruce top and Birch back and sides, in 1928 it became all Mahogany until 1933, when production ended. They were built again from 1937 to 1942, but with Spruce for the top again and Mahogany back, sides and neck. On all of them, the fingerboards are Rosewood, which at the time meant Brazilian Rosewood.
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I came to Twelfth Fret with an all original 1967 Gretsch Chet Atkins Tennessean which I had purchased online. The guitar was barely playable, would not tune and was just a very expensive disappointment. After a consultation with Scott, he came up with a plan to see if this guitar could be brought back to life. After great communication, Scott put his skillful hand to work and gave me back one of the greatest guitars I have ever played!
I went from totally disappointed with this guitar, to it being one of my favorites. I don’t know how Scott did it, but unbelievable. Great communication throughout the process, incredibly skillful work, and most of all just a real desire on Scott’s behalf to bring this thing back to life as best he could. I went from having totally given up, to very boastful to own this guitar. Completely blown away.
Absolutely no hesitation bringing any future projections to Scott and the rest of the staff. Thank you so much!
