The Martin O-16 NY appeared with the American Folk Boom, and references very early Martin guitars made before 1898 in New York, before the move to Nazareth, PA. The O body size is 13.5 inches wide, and the 12-fret neck has a slotted peg head. As a ’16’, binding only appears on the top.
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This very nice example of the Gibson L-00 Steel String Guitar dates to 1936 and is in good working order. It was recently set up in our shop and thoroughly inspected. All the braces are intact and tightly glued in place. At some point in its life, it’s had a neck reset, and possibly at that time the sides, back and heel were oversprayed with a clear lacquer. This would have been done partly because Gibson’s production method installs the neck to the body before finishing, so a removing the neck to reset the dovetail causes finish damage.
First appearing in 1926, the Gibson L-0 uses a curvaceous, smaller 13.4 inch wide body. Initially made with Spruce top and Birch back and sides, in 1928 it became all Mahogany until 1933, when production ended. They were built again from 1937 to 1942, but with Spruce for the top again and Mahogany back, sides and neck. On all of them, the fingerboards are Rosewood, which at the time meant Brazilian Rosewood.
National Triolian Polychrome ‘Palm Yellow’ Resophonic Guitar, 2010
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It started with a 35th Anniversary model and Bob Taylor liked the design so much that the 12 Fret Grand Concert model was put into regular production. This wonderfully comfortable guitar features a Sitka spruce top, Indian Rosewood sides and back, a 12 fret neck to body design with a slotted head stock, venetian cutaway and Taylor ES pickup system.
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